
While Netflix doesn’t always place much of a emphasis on sci-fi movies, there is a noticeable increase in that genre this month. We can’t argue that Battleship or the 2012 remake of Total Recall belong among the best sci-fi movies on Netflix, but we appreciate the attempt to offer fans more options. This month also marks the conclusion of one of Netflix’s riskiest bets to date: Zack Snyder’s Rebel Moon — Part Two: The Scargiver. Rebel Moon — Part One only had a short stay on top of the most popular movies on Netflix. If Part Two can’t do better than that, then Netflix won’t have much incentive to spend money on original sci-fi.
The other significant additions this month are The Matrix and Starman, both of which are classics in the sci-fi genre for different reasons. Keep reading for more on those films, as well as the rest of the best sci-fi movies on Netflix right now.
In need of a few more suggestions? We’ve curated guides to the best sci-fi movies on Amazon Prime Video and the best sci-fi movies on Hulu, too.
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- The Matrix1999
- Starman1984
Rebel Moon - Part Two: The Scargiver (2024) new
It took Zack Snyder two movies to retell the story of The Magnificent Seven in space, which is essentially what Rebel Moon is. Rebel Moon – Part One: A Child of Fire introduced Kora (Sofia Boutella), and revealed her personal connection to Motherworld, the heart of the empire that dominates the known universe. It also established that Kora is the title character in the sequel, Rebel Moon — Part Two: The Scargiver.
Kora and her remaining allies triumphed in the first part of the film when they survived an Imperium trap. But now the real challenge begins, because the Imperium is marshaling its forces to conquer Veldt, Kora’s adopted home. And she’ll do anything to protect her people, even if it kills her.
The Matrix (1999) new
Nothing the Wachowskis have done in the last 25 years has come anywhere close to recapturing the magic of The Matrix, and that includes all three of the sequels. The first film is just about as close to perfect as a sci-fi action film can get. Keanu Reeves solidified his action hero persona as Neo, a talented hacker who is trapped in a dead-end office job.
That’s not all Neo is trapped in, especially once Morpheus (Laurence Fishburne) and Trinity (Carrie-Anne Moss) offer Neo the answer to the question that’s been haunting him for years: “What is the Matrix?” Once he learns the truth, Neo may be forced to face his own morality as part of a prophecy that he doesn’t believe in.
Starman (1984) new
John Carpenter’s Starman is one of his rare films that isn’t action or horror-related. Instead, it’s a sci-fi romance that unfolds between the title character, Star Man (Jeff Bridges), and Jenny Hayden (Karen Allen). Star Man came to Earth because he believed humanity was peaceful. He found out the hard way that it wasn’t.
To save his own life, Star Man clones the body of Jenny’s late husband, Scott, and convinces her to help him reunite with his people before he dies. Along the way, Starman and Jenny feel a strong romantic connection, but time is running out before he has to leave Earth forever.
Spaceman (2024)
Alien’s promo line infamously states that “in space, no one can hear you scream.” Spaceman isn’t a horror film, so there’s not much suspense about whether astronaut Jakub Procházka (Adam Sandler) will survive. But since Jakub is alone in deep space, no one can hear or see just how badly he is being consumed by his loneliness, his inner turmoil, and his failing marriage to Lenka Procházka (Carey Mulligan). No one except Hanuš (Paul Dano), an alien spider that Jakub encounters on his journey.
Hanuš sees and knows everything in Jakub’s mind, often to the detriment of Jakub himself. Reliving painful memories isn’t something Jakub wants, and yet he’s so desperate for any kind of companionship that the prospect of Hanuš leaving him behind is absolutely devastating to him.
Everything Everywhere All at Once (2022)
2022’s Oscar winner for Best Picture, Everything Everywhere All at Once, is simultaneously a sci-fi fantasy adventure and a relationship drama. Evelyn Quan Wang (Michelle Yeoh) used to have a happy life, but now her husband, Waymond Wang (Ke Huy Quan), is on the verge of leaving her, their daughter, Joy Wang (Stephanie Hsu), barely speaks to them, and now the IRS is auditing their business.
That’s when another version of Waymond from across the multiverse takes over his body and warns Evelyn about a threat that could destroy everything. To save all of reality, Evelyn has to learn how to navigate the multiverse and also repair her relationships with the people whom she loves.
Godzilla (2014)
The greatest accomplishment of the 2014 Godzilla reboot isn’t that it spawned Legendary’s MonsterVerse. Instead, it’s the way that this American remake helped make everyone forget about the truly awful Godzilla movie that was released in 1998. One of the ways that director Gareth Edwards pulled that off was by withholding Godzilla’s full appearance until deep into this movie. It’s the anticipation of seeing Big G in all of his glory that makes it work.
Godzilla’s primary narrative starts with Ford Brody (Aaron Taylor-Johnson), a Navy officer who returns to Japan to retrieve his estranged father, Joe Brody (Bryan Cranston), a scientist who lost his wife in 1999 during an incident at a Japanese nuclear power plant. Ford is soon wrapped up in Joe’s quest for answers, which leads to something more terrifying than Godzilla that kicks off a new age of monsters.
Looper (2012)
Murder’s a messy business in Looper, and that’s why the future is sending its dirty work back in time. Joe (Joseph Gordon-Levitt) is a contract killer known as a Looper because he kills targets sent to the present on behalf of criminals from the future. At the end of his contract, Joe is supposed to murder his older self to close the loop on his life.
Old Joe (Bruce Willis) has other ideas when it’s his turn to be sent back. After overpowering the younger Joe and changing the timeline, Old Joe begins looking for a kid who will grow up to be a feared crime boss. But thanks to Old Joe’s actions, Joe becomes a target in the present and his future is no longer in his control.
Ready Player One (2018)
Whoever controls the virtual world of OASIS controls the future in Ready Player One. In this timeline, Earth is in such rough shape that the vast majority of the population spends all of their time in the OASIS living out their virtual dreams. That’s not what James Halliday (Mark Rylance) had in mind when he created OASIS.
Years after Halliday’s death, Wade Watts (Tye Sheridan) and players around the world learn that Halliday left behind a contest for complete control of OASIS to the winner who can solve all of his puzzles. It’s a race that extends to the real world as well, because there are no lengths that IOI executive Nolan Sorrento (Ben Mendelsohn) won’t go through to ensure that his company controls OASIS.
Rebel Moon - Part One: A Child of Fire (2023)
Zack Snyder’s space opera, Rebel Moon – Part One: A Child of Fire, should be familiar to fans of Star Wars and other sci-fi epics. It takes place in a universe that is ruled by Motherworld and its intergalactic army, the Imperium. Kora (Sofia Boutella), an ex-member of the Imperium, sought to redeem herself by starting a new life out of Motherworld’s reach on a moon called Veldt.
When the Imperium finally arrives on Veldt, Kora can’t run anymore. To defend her adopted homeworld, Kora recruits a former Imperium general, Titus (Djimon Hounsou), as well as Kai (Charlie Hunnam), Gunnar (Michiel Huisman), Tarak (Staz Nair), Nemesis (Doona Bae), and more. But even this assortment of warriors may not be enough to withstand a full assault by the Imperium.
They Cloned Tyrone (2023)
Very early on in They Cloned Tyrone, a drug dealer named Fontaine (John Boyega) is brutally murdered in front of one of his clients, Slick Charles (Foxx), and one of his Slick’s girls, Yo-Yo (Teyonah Parris). But much to the surprise of Slick Charles and Yo-Yo, Fontaine shows up the next day without any memory of what happened to him.
While investigating the mystery of Fontaine’s apparent resurrection, the trio uncover a clone conspiracy that has very troubling implications for their lives and their future. And if they want to save themselves, Fontaine, Slick Charles, and Yo-Yo need to fight back.
65 (2023)
65 doesn’t try to hide its sci-fi premise. It’s about a pilot named Mills (Adam Driver), a man who accepts a long-term gig as a pilot to provide for his family. But when his starship crash lands on Earth 65 million years ago, Mills is left with no way to reunite with his wife, Nevine (Chloe Coleman), and their daughter, Alya (Nika King).
The only thing that gives Mills the will to live is Koa (Ariana Greenblatt), a young girl who is the only other survivor. When Mills discovers a potential escape from prehistoric Earth, he escorts Koa across a landscape that is filled with very ravenous and very dangerous dinosaurs.
Captain Nova (2021)
Captain Nova (Anniek Pheifer) has come from the future to save the past in the Dutch sci-fi movie that shares her name. Unfortunately, for Nova, the trip back in time has also changed her into a 12-year-old child. And young Nova (Kika van de Vijver) soon realizes that her mission is now nearly impossible because of this unforeseen side effect.
With few other viable options, Nova teams up with a kid named Nas (Marouane Meftah) as she attempts to rewrite the future by taking on a greedy corporation. And if Nova fails, her future is destined to unfold in the same way that it did before.
Rim of the World (2019)
McG’s Rim of the World takes its inspiration from the kid-centric sci-fi films that Steven Spielberg produced and directed in the 1980s. At the Rim of the World summer camp in California, Alex (Jack Gore) is a boy who is still grieving the loss of his father when he starts bonding with his fellow social rejects, ZhenZhen (Miya Cech), Dariush (Benjamin Flores Jr.), and Gabriel (Alessio Scalzotto).
Much to their collective surprise, Alex and his new friends discover that they are in the midst of an alien invasion. And they may be the only ones left who can deliver the key to victory to NASA … if they can live long enough to escape.
What Happened to Monday (2017)
Warriors of Future (2022)
Spiderhead (2022)
The Adam Project (2022)
Stowaway (2021)
Synchronic (2020)
The Mitchells vs. the Machines (2021)
The Swarm (2020)
Army of the Dead (2021)
Oxygen (2021)
Spectral (2016)
The Midnight Sky (2020)
Outside the Wire (2021)
The Discovery (2017)
The Wandering Earth (2019)
Mirage (2018)
Black Mirror: Bandersnatch (2018)
Advantageous (2015)
Project Power (2020)
Bird Box (2018)
See You Yesterday (2019)
Beyond Skyline (2017)
Okja (2017)
I Am Mother (2019)
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