Navajo Quilt Project co-founder wins national arts fellowship

Susan Hudson is from Sheep Springs, New Mexico. (Photo/National Endowment for the Arts)

WASHINGTON — The National Endowment for the Arts announced recipients of its fellowship for it’s folk and traditional arts. Every year since 1982, the NEA has presented this lifetime honor in recognition of individuals whose dedication and artistry contribute to the preservation and growth of the diverse cultural traditions that comprise our nation. Each fellowship includes a $25,000 award and the recipients will be honored in Washington, DC in fall 2024.

Among the 10 recipients is Susan Hudson, Diné, a quilter from Sheep Springs, New Mexico.

Hudson was taught to sew by her mother, Dorothy Woods, when she was 9-years-old. Hudson’s pictorial quilts honor her ancestors and the proud history of the Navajo people using a crossover style inspired by ledger art.

Hudson’s clans are Towering House People, Apache People, Water Edge People, and Mexican People.

Hudson’s mother, Dorothy Woods, as well as her grandmothers, were forced to learn sewing in boarding schools where there was little tolerance for mistakes. When Hudson was nine years of age, her mother taught her how to sew out of necessity, as they were quite poor and couldn’t afford to buy clothes. Hudson learned to alter donated clothes and made quilts out of the scraps.

Dine artist Susan Hudson’s quilt “Missing and Murdered Indigenous Children: Robbed of Innocence.” (Photo/National Endowment for the Arts)

Hudson’s quilting became an income stream when she began making Star Quilts for Indian pow wows and giveaways at the request of Ben Nighthorse Campbell, a former U.S. Senator from Colorado. Senator Campbell encouraged her to break away from making traditional star quilts and she soon developed her own artistic voice with contemporary ledger art quilts.

Ledger art is a type of narrative drawing or painting on animal hides, primarily practiced by Plains Indians in the 1860s. Hudson uses a crossover style inspired by ledger art, recounting history through her quilts. She has taken her quilting to a whole new level, serving as an activist storyteller. Her pictorial quilts honor her ancestors and illustrate the proud history of the Navajo people.

Through quilting, Hudson chronicles the sacrifices and strengths of her family and remembers their hardships. Important pieces in her work include the quilts she has named Missing and Murdered Indigenous Women Since 1492 and Walk of My Ancestors: Coming Home, depicting the return from the Long Walk of the Navajos. Hudson also creates quilts that depict the trauma of the boarding schools.

Hudson is a co-founder of the Navajo Quilt Project, which donates fabric to elders all across the Navajo Nation. The Navajo Quilt Project engages with the community, makes quilts for giveaways and traditional ceremonies, and empowers others to start their own businesses.

Hudson’s quilts have been acquired for collection by the International Quilt Museum, Heard Museum, Autry Western Museum, Riverside Museum, and National Museum of the American Indian. Other acquisitions include the Gochman Collection, the John and Susan Horseman Foundation, and many private collectors.

No longer silenced, the voices of her Indigenous relatives can now be heard through Hudson’s quilt exhibitions around the country. In competition, her quilts have garnered 29 first place awards, 16 second place awards, six third place awards, four special awards, 12 Best of Division awards, Jackie Autry Purchase, Idyllwild Imagination Art Award and five Best of Show awards.

Others winner include the Zuni Olla Maidens, traditional Zuni dancers and singers from the Zuni Pueblo in New Mexico. They are a renowned dance group of all women, who dance with fragile water jars, or ollas, balanced on the top of their heads, preserving culture for year’s to come.

Trimble Gilbert, a fiddler from Arctic Village, Alaska, was captivated by the sounds of fiddle and exuberance of dance during gatherings in the remote and isolated Alaskan villages of the Gwich’in people as a young boy. Through watching, listening, and diligent practice, Trimble developed his own repertoire of songs and unique style, and has dedicated much of his life to teaching others the Gwich’in fiddle.

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