Ponniyin Selvan 2 by mani ratnam demonstrates how contemporary films conflate murder and heroism and fail to distinguish between necessary and unlawful violence.

You could have experienced the same sensation of wonder as I did during the tense confrontation scene between aishwarya Rai Bachchan's Nandini and Vikram's adithya Karikalan in filmmaker Mani Ratnam's most recent masterpiece, Ponniyin Selvan. The two-part epic by Ratnam is centred on this one scene in particular. The confrontation in the film is what makes it worthwhile to see again, even though the events leading up to and after the scene are equally important. The talents of Ratnam's cast and technical team combine with his skill at telling a superb story to produce a remarkable cinematic experience.

This moment not only serves as a stand-alone example of Ratnam's mastery of spectacular drama, but it also succeeds in keeping the audience's interest for a considerable amount of time. The audience is attentively awaiting how this action would conclude, so you can feel a quiet descended upon them as it unfolded. It takes incredible skill to elicit such a response from an overstimulated audience. But this scene is more complex than it first appears to be.