Karl Lagerfeld, the subject of this year's Met Gala, transformed Chanel from frumpy to modern. He revolutionised the merger of hip-hop culture and high fashion. He dressed and befriended celebrities and transformed once-staid runway shows into masterful, theatrical displays.
He was also a self-proclaimed “big mouth”, publicly sounding off with fatphobia. He spoke against gay men who want to adopt children, migrants, sexual assault survivors, the #MeToo movement and “ugly” people, without apology.
And he left behind the receipts, his own contentious words.
Lagerfeld died in 2019 after dominating the fashion universe into his 80s. Come May 1, his legacy will be on display at the starry fundraising party and its companion exhibition at the Metropolitan Museum of Art's Costume Institute. Likely not on display, however, will be his polemical tendencies.
“He offended people right and left, making as much of an art out of the cutting aside as the perfectly cut double-face gown,” New York Times fashion critic Vanessa Friedman wrote soon after Lagerfeld's death.
“He judged,” Friedman wrote, “and knew he would be judged himself, but he didn’t care. Rather, he embraced it.”