Hulu may be overlooked compared to its corporate sibling, Disney+, but don’t overlook it! Unlike Disney+, Hulu is the natural home for the vast catalog of 20th Century Studios films, as well as some movies on loan from other studios. And instead of catering strictly to families and children, Hulu offers mature fans a wide selection as well.
Another great thing about Hulu is that new movies are coming all of the time, even as some titles move on. To help you keep up to date, check out our list of the best movies on Hulu right now.
Subscribe to a different platform? Not only do we have a guide to the best shows on Hulu, but we’ve rounded up the best movies on Amazon Prime Video, the best movies on Netflix, and the best movies on Disney+.
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- Lincoln2012
- Dredd2012
- Despicable Me2010
The Planet of the Apes franchise has gone through a few different incarnations, but the modern reboot, Rise of the Planet of the Apes, is a cut above the rest.
Andy Serkis stars as Caesar, a remarkably intelligent chimpanzee who lives with his adoptive father, Dr. William Rodman (James Franco). Will’s attempt to cure Alzheimer’s disease has catastrophic results for the world, but it also greatly enhances the intelligence of apes. And when Caesar is locked away with this fellow apes, he takes the initiative to lead a revolution.
Steven Spielberg’s superlative biopic, Lincoln, covers a very specific time in the life of President Abraham Lincoln (Daniel Day-Lewis). In the waning months of the Civil War, Lincoln faces the very real prospect that his Emancipation Proclamation may be overturned, and the Thirteenth Amendment to ban slavery is not yet in the books.
It’s a political drama at heart, as Lincoln figuratively moves mountains to make it happen, even as the viewer realizes that the clock is ticking on his own life as well.
As comic book movies go, Dredd has a pretty low-budget. But the action and intensity more than makes up for the lack of dazzling effects. In the near future, Judges act as law enforcement figures in Mega-City One. Judge Dredd (Karl Urban) and rookie judge, Cassandra Anderson (Olivia Thirlby), attempt to take down a local crime lord, Madeline “Ma-Ma” Madrigal (Lena Headey).
However, Dredd and Anderson soon find themselves trapped in a residential building controlled by Ma-Ma, with a bounty on their lives that even some of their fellow judges attempt to collect. Thirlby is really engaging as Anderson, but Urban is the perfect Dredd in every way. He is the law!
The original Despicable Me introduced viewers to Gru (Steve Carell), a delightfully evil super-villain who has big dreams of stealing the moon and showing up his rival, Vector (Jason Segel). With his hilariously bizarre Minions in tow, Gru makes an elaborate plan that involves adopting three orphan girls, Margo (Miranda Cosgrove), Edith (Dana Gaier), and Agnes (Elsie Fisher).
Much to Gru’s surprise, the girls quickly accept him as their adoptive father and show him love and affection. And even Gru’s cold heart can’t help but love them in return, even if it threatens his ambitions.
The Cable Guy stars Jim Carrey as Ernie “Chip” Douglas, the titular field service technician who wreaks havoc on the life of one Steven Kovacs (Matthew Broderick) when the latter bribes Chip to give him some movie channels for free. This single, under-the-table transaction quickly devolves into a whirlpool of mayhem when Chip begins showing up unannounced in Steve’s day-to-day life. Hoping for nothing more than a friendship, Chip’s approach isn’t exactly subtle, and Steve’s attempts to disconnect prove comedically futile. While not the box-office sensation of other mid-’90s Carrey hits like Ace Ventura and The Mask, The Cable Guy has established a more-than-healthy cult following over the last few decades.
An exciting example of the kind of narrative ingenuity that only a worldwide pandemic can foster, Something in the Dirt is the latest film from writer-director duo Justin Benson and Aaron Moorhead (The Endless, Synchronic), and is arguably the most primitively fascinating work of these two collaborators. Shot over the course of a year with a crew of just 12, our story follows Levi and John, apartment-dwelling neighbors who decide to make a documentary about a range of supernatural events occurring in their Los Angeles residence. But as the two men discover that these kinds of extraordinary happenings are taking place all over L.A., their findings lead them to a combative exchange of theories and calculations.
Based on the Chinese young adult novel In His Youth, In Her Beauty, Better Days stars Zhou Dongyu as Chen Nian, a bullied high school student who crosses paths with Xiao Bei (Jackson Lee), a street thug. As the two youths start to form an alliance, one of Chen’s bullies turns up dead, and the investigating authorities believe that Chen and Xiao could be the killers. Better Days is a gripping bit of melodrama that leans heavily on the humanity of its core characters, delivering an elevated tale of what it’s like to be entering adulthood both on and off your own terms.
In director Rob Schroeder’s Ultrasound, Mad Men alum Vincent Kartheiser stars as Glen, an unassuming everyman who just so happens to encounter some car trouble on a dark and stormy night. Seeking some help, he knocks on the door of a perfectly kind stranger named Arthur (Bob Stephenson), leading the former down an uncanny rabbit hole of deceit and mind control. Presenting a nail-biter of a story without diving into carnage and other typical screen grabs, Ultrasound does its best work as a quietly curious foray into a world that’s hard to pin down.
It’s about time the world of Hellraiser received some much-needed reimagining. For years now, the franchise has seen sequel after sequel, and while Cenobite fans are always pleased to see Doug Bradley donning his Pinhead garb, the series has certainly run into its fair share of cinematic duds. But director David Bruckner has come along to get the saga on track once more. The 2022 remake stars Odessa A’zion as Riley, an on-the-mend drug addict who comes into the possession of a runic puzzle box — a mysterious device that summons an armada of hellish entities. Led by the Hell Priest (Jamie Clayton), Odessa is plunged into a fight for survival when the demonic visitors begin wreaking havoc in the real world. Bruckner’s Hellraiser reboot may not satisfy all of the saga’s diehards, but when you consider it as a gruesome yet polished homage to Clive Barker’s source novella and first batch of films, the 2022 version more than gets the job done.
Based on the David Wong novel of the same name, John Dies at the End is a kaleidoscopic horror-comedy of epic proportions. Chase Williamson stars as David, your typical everyman protagonist, and the story follows his mind-altering adventures alongside his gang of friends. At the center of these otherworldly jaunts is a mysterious new drug called “Soy Sauce,” a nightmarish substance accidentally injected by David that allows him to jump through time and space, into and out of alternate dimensions. The end result for us viewers? A wild trek of a film that will leave your brain hovering somewhere over a triple rainbow in a distant universe.
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