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Ravindra Kaushik’s biopic will be helmed by Anurag Basu
Just how many films is Anurag Basu directing? Even before Basu’s Metro In Dino could be completed , his Aashiqui 3 with Kartik Aaryan is awaiting commencement.
Now comes the news that the official biopic of the greatest spy of Indian History Ravindra Kaushik aka ‘The Black Tiger’, will be helmed by Anurag Basu.
Ravindra Kaushik was just 20 when he first went undercover for RA&W. Kaushik is regarded to be India’s best spy thus far for his incredible success in penetrating the highest ranks of the Pakistani Army, thereby receiving the moniker “The Black Tiger” from the then Prime Minister of India, Ms. Indira Gandhi. His intuitive and timely reporting of critical information ensured that Indian Security Forces, between 1974 to 1983, were constantly steps ahead of any move Pakistan was planning to make.
Director Anurag Basu comments on the biopic, “Ravindra Kaushik’s story is that of courage and valour. At the young age of 20 years, he played a pivotal role in many national and international security matters of the 70s and 80s that went on to define India’s as well as South Asia’s geo-political character. So much of our history is either hidden or forgotten… We ought to recognise and learn about this unsung hero.”
Unlike the Kishore Kumar biopic which Anurag Basu couldn’t make due to the singer’s family’s intervention, Ravindra Kaushik’s family has consented to the biopic and is supporting the makers by sharing all the information in addition to the story from their lens as well.
Ravindra Kaushik’s biopic,is produced by Anurag Basu, R Vivek, Asvin Srivatsangam and Divay Dhamija.
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My Name Is Khan Turns 13

Karan Johar feels My Name Is Khan is the most uncorrupted uncompromised and honest film he has made.
And he is right. It is an epic film in every sense of the word. On release, Karan was afraid that audiences would not appreciate Shah Rukh Khan with a neuro-disorder and without songs.
My Name Is Khan had no lip-sync songs It wasn’t easy to make . It was the socio-political journey of Shah Rukh’s character Rizwan from the age of 4 to 40.In this journey Shah Rukh encounters major political upheavals from a communal riot in India to 9/11 in the US. But the epic film was not about any specific political event. Nor was it about the Asperger’s Syndrome.
Karan Johar feels My Name Is Khan couldn’t have worked without Shah Rukh and Kajol. “I was blessed to have them in my film. I don’t know what it’s about them. It’s just magic. They build an inexplicable energy on screen. They instinctively understand each other’s acting. When I direct a scene with Shah Rukh and Kajol I know I’m doing my best work. Rizwan and Mandira in My Name Is Khan HAD to be SRK and Kajol.”
Kajol had just become a mother.She first said no to the film. Then she read the script and immediately said yes,
Recalls Karan, “I’ve worked with Kajol in various stages of her life. I was working her again eight years later. When we worked together the last time she didn’t have a daughter. So of course she was a different person. She was calmer more focused on her work than ever before.”
Karan finds Shah Rukh and Kajol alike in their attitude to work and family “They’re both so much into their spouses and kids. When the shot is over they rush to their respective family.
Time and again I’m blown away by Shah Rukh. How can he think of so many things about his character when he has so much on his plate? He did monumental research on his autistic character. I was zapped by how much he knew on the subject. And he brought all the knowledge on the sets without any strain. He had written reams of notes on how he wanted to interpret his character.Rizwan And to him it was no big deal.”
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Anil Kapoor and Aditya Roy Kapur feature on the book cover of John le Carré’s The Night Manager

The Indian adaptation of The Night Manager is creating history! The show, which is set to release on Disney+ Hotstar on 17th February 2023, is an adaptation of John le Carré’s book with the same name and in a first, the book will now feature the film’s leading men, Anil Kapoor and Aditya Roy Kapur, as its cover. This is the first time ever that an Indian show will be featuring on an international bestseller.
On this milestone, Anil Kapoor said, “To be featured on the cover of a bestselling novel…this has to be one of the most incredibly memorable moments of my acting career! When you’ve been in the industry for as long as I have, it’s easy to think that you’ve seen everything, but I could not have imagined something like this even in my wildest dreams. So grateful and humbled by this honor!”
Adds Aditya Roy Kapur, “The Night Manager has been a very special project for me. I’m a huge fan of the book and for our poster to make it to the cover of the book it’s based on, we couldn’t have asked for more! It’s wonderful validation for all the work the whole team has put in.”
Nick, Stephen and Simon Cornwell, sons of the author, said “Our father John le Carré was hugely excited by the Indian adaptation of The Night Manager. Even though sadly he did not live to see the finished show, we know he would have been thrilled by this breath-taking adaptation brilliantly helmed by Sandeep Modi and Priyanka Ghose and the brilliant performances of Anil Kapoor, Aditya Roy Kapur, Tillotama Shome, Sobhita Dhulipala and the whole cast. It’s a gripping and much-loved book and it’s wonderful to see it taking on new life in this way. Moments like these prove how well the story has traveled, and how it has echoed across the globe. And it’s incredibly exciting to see two of Bollywood’s greatest actors, Anil Kapoor and Aditya Roy Kapur, on the cover of the book!”
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Farewell, Lalitha Lajmi, Hope You Are Reunited With Kalpana

Reputed painter Lalitha Lajmi lived much longer than her entire family. Her legendary brother Guru Dutt was only 39 when he allegedly committed sucide. His leder son Tarun only 35 when he died.
While Guru Dutt committed suicide in 1965, his elder son Tarun Dutt (who had directed Rekha in the 1984 caper Bindiya Chamkegi) apparently took his own life in 1985.
Guru Dutt’s younger son Arun died at 58 in 2014.Arun, and his siblings Tarun and Nina, grew up in the homes of Guru Dutt’s brother Atma Ram and Geeta Dutt’s brother Mukul Roy after their parents passed away.
Tarun and Arun were only eight years old when their father passed away. The children didn’t know their father’s reputation as a living legend. Guru Dutt never encouraged his children to be a part of the movie business. He knew better than most how heartbreaking the industry could be and even made the classic Kaagaz Ke Phool on the disenchantment served up by the film industry.
After Arun’s death his cousin Kalpana Lajmi(Lalitha Lajmi’s daughter) recalled Arun as a gentle and troubled soul. “He was a wonderful cerebral person. But eventually he was afflicted by the tragedy that gripped the family… the tragedy that befalls children of colossal personalities. Can you imagine what a burden it must have been for Tarun and Arun to carry forward their parents’ legacy?”
And now the legacy is wiped out. Kalpana Lajmi died at 64, leaving her mother behind . The lovely Lalithaji spent her time painting and doing social work.
But the loss of her daughter was a blow she could never come to terms with.
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Pran: The Gentleman Villain

“When I think of Pran Saab his whole career appears to be unique and unmatched,” the great Irrfan Khan once said to me.
Now when I think back on the mighty Pran Kishan Sikand’s astonishing career I am astounded at his versatility. After making his debut as a leading man Pran ruled the boxoffice as a villain for a good 45 years . During the 1960s and 70s you won’t come across any newly born child named Pran: the name was synonymous with villainy and evil. In 1967 the visionary filmmaker-actor Manoj Kumar cast Pran in a sympathetic role as Malang Chachcha in Upkar.
After being hated for decades Pran was immediately accepted as good man. He later played the good Samaritan in Adhikar(1971), Zanjeer(1973) and numerous other films while continuing to be the badman.
Shatrughan Sinha who also made that tricky switchover from villain to hero remembers cancelling his trip to Patna to attend Pran’s funeral when he died on 12 July 2013. “There is no doubt Pranji was an institution. He has inspired generations of actors, including me. When I heard of his passing away I immediately cancelled my trip to Patna to attend.”
At the funeral Shatrughan Sinha was dismayed to see the poor turn-out. “I saw very few people from the film industry. A man who gave 70 years of his life to the film industry deserved a much more hefty send-off.”
Recalling Satyajit Ray’s condolence meeting at Mehboob Studios on the doyen’s death, Shatrughan Sinha says, “This was Satyajit Ray who brought renown to Indian cinema and to the nation, the only Indian to win both the Oscar and the Bharat Ratna.And there was hardly anyone at the condolence meet. At Pranji’s funeral I was sadly reminded of Mr Ray’s condolence meet.”
Shatrughan Sinha says he was great influenced by Pran. “I used to copy his hairstyle from Jis Desh Mein Ganga Behti Hai during my college days in Patna.Later I got the chance to work with Pranji in films like Ganga Teri Paani Amrit, Buniyaad and Vishwanath. In Mere Apne I paid Pranji a tribute by copying that idiosyncrasy of his from Jis Desh Mein Ganta Behti Hai whereby he kept scratching his neck. Pranji did almost 400 films. Indian cinema is a 100 years old , and he was there for 70 of those 100 years. Very few can equal that record. I’d say Pranji was a true achiever and a source of inspiration for generations of actors.”
Raza Murad another actor who swung from bad to good says Pran was his role model “I specially liked Pran Saab as Kehar Singh in Shaheed. He appears on screen as a ruthless illiterate short-tempered condemned prisoner who is unconcerned about the freedom struggle of fellow-prisoners . Then watching the plight of freedom fighters he undergoes a change of heart. Before going to the gallows he expresses a desire to shake hands with a shareef aadmi like Bhagat Singh.Pran Saab performed this scene without a tear. Yet the audience could feel his emotions.”
Raza Murad considers Pran an institution. “Pran Saab was a giant of an actor.Spine-chilling in his evil on screen he could create terror with his piercing gaze and booming voice. He dominated the screen for almost 60 years.. No one could rival him. His contribution is unparalleled. His presence was an asset to every film. He didn’t belong to any camp. He didn’t go out of his way to please any producer. He was a loving , humorous, generous sports lover. He was punctual dedicated committed highly emotional , a true friend and a bankable actor.”
Badman Gulshan Grover admitted he owed his career to a large extent to Pran. “I learnt so much from Pran Saab and by observing him personally.I’ve been fortunate not only to have received his guidance but also his appreciation. I was inspired by his professionalism, dedication and his ability to stand out in each and every role.Pran Saab gave dignity, star-value and a position to the Bad Man in Bollywood. It is because of Pran Saab that actors like me could become stars and have a flourishing career by being bad. It’s a personal loss to me. He was like a parent . He provided me with encouragement, guidance and validation.”
When asked to name his favourite Pran performance Grover didn’t have to think hard. “ Jis Desh Mein Ganga Behti Hai. The nuances made the performance remarkably subtle.Actually I am a mega-fan of Pran Saab’work and it’s difficult for me to pick one.I’ve had the rare honour of watching his films not only in the theatre but also on 30 VHS tapes of Pran Saab’s work and scenes. An overseas fan of Pran Saab had made these tapes for him and he gave me the rare honour of watching them.”
Raj Babbar who started as villain and then switched to playing heroes said Pran was role-model . “I have always been hugely inspired by Pran Saab’s personal and professional conduct.We worked together in Durga where I was struck by how softspoken Pran Saab was. When the camera was on his voice would transform into a boom. He played both black and white characters with equal aplomb. When he was a villain he was despicable for years and years.
When he started doing positive roles he was equally effectual in what he did.Woh kehte hai na, ek kalaakar ka noor uske kaam mein jhalakta hai.When Pran Saab played villains he looked absolutely evil.
When he was a good man in Upkar, Zanjeer, Adhikar he looked noble.His elaborate get-ups at a time when there was none of the comfort of airconditioned vanity vans were exemplary for actors like us. In that sweltering heat on location Pran Saab would sit with the beard, costumes, makeup and the accessories.Like Pran Saab I too refused to let myself be slotted in any one image. Like Pran Saab I’ve shuffled between black and white roles throughout my career. I have played the leading and the villain keeping in mind Pran Saab’s ability to cross over from one moral zone to another without tripping over.
Asha Parekh who worked with Pran in many films calls him one of the film industry’s pillars . “He s played both the villain and the good Samaritan in my films with him. He was never shy of changing sides on screen. Contrary to his serious image Pran Saab was very entertaining on the sets. He would always have stories to tell and he would tell them in a very interesting way. But once the camera was on he was fully into his character. When Pran Saab played a villain he filled our hearts with terror. I remember as a child when I was working as child actor in M V Raman’s Asha Pran Saab showed up. I hid behind the sofa.
I was so scared of him! Later of course I did many films with him including Mere Sanam, Jab Pyar Kissise Hota Hai, Phir Wohi Dil Laya Hoon. He was a thorough gentleman and a very considerate co-star. Even if he had to twist my hand in a scene he would ask repeatedly if I was okay. He was extremely passionate about his work.
I think the first film we worked together in was Jab Pyar Kissise Hota Hai in 1961. After that we did innumerable films together including Manoj Kumar’s Upkar where he was transformed from a screen villain to an amazingly positive character.I used to run into Pran Saab in so many shootings that when he wasn’t around I’d miss him. Pran Saab was a wonderful human being ,quite the opposite of the villainish characters he played.”
Waheeda Rehman shared a detail about Pran that nobody knows. “I did quite a number of films with Pran Saab , and he was always a thorough gentleman filled with interesting conversation . I looked forward to shooting with him. The one thing that I must tell you about Pran Saab that you probably don’t know is that he was very ticklish. Any hint of being tickled and he would start
giggling. Every time I met him I’d put put my fingers out pretending to tickle him and he would go. ‘No! No! Don’t you do that.’ “
Waheedaji recalled her first film with Pran Saab. “The first film we did together was Dil Diya Dard Liya and I was quite nervous, as he played such a terrible human being on screen. But he turned out to be a charming, jolly and interesting human being. During those days there were no vanity vans and no airconditioned makeup rooms .
So all of us would sit together and chat on the sets between shots.He would regale me with sher-o-shaayari. A very nice human being, a complete family man. No matter how how late we packed up in the night he was the first to arrive on the sets the next morning looking fresh as though he had slept for a full 9 hours.I did many films with him like Ram Aur Shyam, Patthar Ke Sanam.”
Regrettably Waheedaji and Pran did not meet socially. “Once we stopped working together we couldn’t meet much. But when my husband passed away in 2000 he had come to see me.My husband Shashi Rekhi was distantly related to Pran Saab.Pran Saab’s wife Shukla Bhabhi told me he had stopped going out anywhere . But he made it a point to come for the memorial service.When Pran Saab got the Dadasaheb Phalke award he didn’t want to meet anyone, which is quite understandable considering his deteriorating health. So I spoke on the phone to his wife Shukla Bhabhi and their daughter Pinky. He had a full life, great success and he achieved all that he had set out to achieve.”
Not too many people know this. But Pran has a hugely impressive body of songs associated with his characters on screen: Kasme vaade pyar wafa in the film Upkar(sung by Manna Dey), Jeena toh hai usski jissne yeh raaz jaana hai kaam aadmi ka auron ke kaam aana in Adhikar(this evergreen Qawaalli sung by Mohd Rafi and filmed on Pran embodied Pran Saab’s real-life philosophy), Yaari hai imaan mera
in Zanjeer(when Manna Dey sang for a second time for Pran after Upkar it had to be something special,this Qawwalli was a bigger hit than the other Kalyanji-Anandji chartbusters in Zanjeer), Raaz ki baat kehn doon toh in Dharma(the Qawwalli sung by Asha Bhosle and Mohd Rafi and filmed on Bindu and Pran dragged this potboiler to a blockbuster level), Hum bolega toh bologe ki bolta hai in Kasauti(the Amitabh Bachchan-Hema Malini starrer again got its boxoffice clout solely from this Kishore Kumar song filmed on Pran), Phir na kehna Michael daroo peekey danga karta hai in Majboor(a Goan tune composed by Laxmikant-Pyarelal and sung with gusto by Kishore Kumar), Do bechare bina sahaare in Victoria 203 (this song was a rage.Interestingly Mahendra Kapoor sang for Pran while Kishore Kumar crooned for his brother Ashok Kumar).
Pran was vital to Indian cinema . He is sorely missed to this day.
Some Little Known Facts About Pran
- Pran Sikhand, also known as Pran, was a legendary Bollywood actor known for his villainous roles in Hindi films.
- He was born on February 12, 1920, in Delhi, India.
- Pran’s original name was Pran Krishan Sikand. He changed it to Pran after he started his acting career.
- He made his acting debut in 1940 with the film ‘Yamla Jat’.
- Pran was known for his versatility as an actor, and he played a variety of roles in his career, including those of a villain, a character actor, and a comedian.
- He was one of the first actors in Bollywood to play a negative role and made it his signature.
- He was awarded the Filmfare Lifetime Achievement Award in 1997 for his contribution to Indian cinema.
- Pran was also a keen sportsman and was an excellent billiards player. He even represented India in international billiards tournaments.
- He was married to Shukla Ahuja and had two sons, Sunil Sikand and Raj Sikand.
- Pran died on July 12, 2013, in Mumbai, India, at the age of 93. He is remembered as one of the greatest character actors in the history of Indian cinema.
Frequently Asked Question About Pran
Who was Pran in Bollywood?
Pran was a legendary Bollywood actor known for his villainous roles in Hindi films.
When was Pran born?
Pran was born on February 12, 1920, in Delhi, India.
What was Pran’s original name?
Pran’s original name was Pran Krishan Sikand.
When did Pran make his acting debut?
Pran made his acting debut in 1940 with the film ‘Yamla Jat’.
Was Pran only known for playing negative roles?
No, Pran was known for his versatility as an actor, and he played a variety of roles in his career, including those of a villain, a character actor, and a comedian.
Did Pran win any awards for his acting?
Yes, Pran was awarded the Filmfare Lifetime Achievement Award in 1997 for his contribution to Indian cinema.
Was Pran a sportsman?
Yes, Pran was a keen sportsman and was an excellent billiards player. He even represented India in international billiards tournaments.
Was Pran married?
Yes, Pran was married to Shukla Ahuja and had two sons, Sunil Sikand and Raj Sikand.
When did Pran pass away?
Pran died on July 12, 2013, in Mumbai, India, at the age of 93.
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