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Weekly Sports Newsletter: Spanish Carlos Alcaraz, a right-handed Nadal or the next ‘pursed lips, cocky nod’ Djokovic?

Rafa's fast feet, Djokovic's forehand and, as some observed, Andre Agassi's racket-speed - Alcaraz was made to look like some Frankenstein programmed to hit monstrous forehands.

Written by Sandeep Dwivedi |
Updated: April 9, 2022 9:02:27 am
Carlos AlcarazCarlos Alcaraz reacts after winning a point against Casper Ruud (not pictured) in the men's singles final in the Miami Open at Hard Rock Stadium. (USA TODAY Sports)

Dear Readers,

This week the tennis world lined up along the red carpet showering rose petals to welcome the next big champion – Carlos Alcaraz Garfia, a 18-year-old from a scenic Spanish village, El Palmar, known more for palm trees than tennis greats.

There was a general consensus about his class but an outrageous global divide about his style of play.

The moment he was crowned the youngest-ever Miami Masters 1000 – once called the 5th Slam – champion, everyone from the pundits to the meme-makers felt obliged to answer the obvious ‘He is the Next Who?’ question.

Much before Miami happened, Alcaraz would cringe on being hailed as the ‘Right-handed Nadal’. His swiftness around the court, the eagerness to dominate points and the muscular frame being the basis of the comparison and Spain’s leap of faith.

His coach Juan Carlos Ferrero, a French Open champ who couldn’t survive the Big 3 march in the mid-noughties, too wasn’t delighted. He tried to lighten the burden of expectations loaded on the young shoulders by the home fans. Ferrero said that Alcaraz’s style was more like Roger Federer and Novak Djokovic. He wasn’t making it easy for the boy whose every stride on court was suddenly under surveillance.

The coach’s comments were a cue for the internet to dig out old match videos, slice them and then glue them together side-by-side.

So there’s this one clip where Alcaraz and Djokovic, in two different frames dominating hard-court rallies, are seen moving on the baseline, swinging their rackets with choreographed synchronicity.

Right down to ‘pursed lips and cocky nods’ celebration after the sharp-angle cross-court forehand winner, the young Spainard looked like the Serbian legend’s identical tennis twins.

Rafa’s fast feet, Djokovic’s forehand and, as some observed, Andre Agassi’s racket-speed – Alcaraz was made to look like some Frankenstein programmed to hit monstrous forehands.

A bit of independent you-tubing on forehands throws up Sergi Bruguera, the master clay-courter from the 90s. His whip-like forehand would be the result of the racket taking the trajectory of a plane taking off while hitting the ball. Alcaraz’s shot-making shape and racket path too is similar.

More surfing and you bump into another lookalike. The young champion’s blank brooding face is a throwback to Pete Sampras from the early days. A highly imaginative commentator had said Sampras has the face of a shy impressionable teen who is likely to fall for an older woman. But we digress.

Maybe, numbed by the greatness thrust on him, Alcaraz has insisted that he wants to be just Carlos Alcaraz. The trivia about a picture of him with Federer by the bedside adds another layer of intrigue.

But that hasn’t hurt the Spaniards. Nadal once during a press conference looked distracted. He couldn’t take his eyes away from the media room television airing one Alcaraz game.

When a reporter told him that his countryman was trailing, Nadal smiled and said there are still many games to play. It wasn’t too long before Alcaraz justified Nadal’s faith and finished the game.

The latest tennis star to emerge from Spain is in a way an outlier but he also represents the legacy of this great tennis nation.

What separates him from Nadal is his press on the court. Since his days on the junior circuit, Alcaraz finishes most rallies from inside the baseline. You were never dismissed as another Spanish back-court slugger. He is an eager beaver always on his toes to catch the ball early and throw the kitchen sink at it.

Alcaraz’s overall game is also a tribute to a system that values wisdom passed down through generations and one that encourages organically-evolved original thinking.

One important weapon that Alcaraz possesses is the drop shot that glides the length of his side of the court and has just enough strength to cross the net and sink. He also has a lob that sails over his 6 plus opponents and kisses the baseline.

These two unconventional hard-to-pull-off strokes in crunch moments break the rhythm of his opponents and help him win those points at 40-30.

Alcaraz is a perfect brand ambassador of the many clay-court academies that are littered across Spain. For years these are assembly lines where kids check in after their school in the afternoon and leave late at night.

In a delightful Dan Kiernan podcast Control the Controllables two old-hand Spanish coaches Bruno Argudo and Juan Beaus paint a vivid picture of these tennis schools while talking about a culture that is very different from the academies around the world where kids pay for ‘hourly sessions’.

Between completing their homework, kids get enough time for endless sets. They travel for tournaments in groups. When not playing they sit next to their coaches, who between sips of coffee talk about strategies for different match situations.

The clay courts too have a role. On the podcast these slow surfaces are called the “assistant coaches”. They teach you patience, hone your court craft and never allows you to be complacent. There are no easy points since the ball doesn’t fly off the court. It is a tough grind. In a month’s time, the latest Spanish sensation will be in Paris and his pedigree makes him one among the favourites.

Alcaraz may be different but it’s his grooming that makes him true to the Vamos-yelling tribe that has pitched their tents on many clay courts around the world.

Send your feedback to sandydwivedi@gmail.com

Sandeep Dwivedi

National Sports Editor

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