Jenna Coleman nails autumnal chic in a floral midi skirt and burnt orange coat as she steps out to grab takeout coffee in London
It might be mid-November and just weeks away from Christmas.
But, Jenna Coleman, 35, nailed autumnal chic in a floral midi skirt and burnt orange coat as she stepped out to grab takeout coffee in London, on Tuesday.
The Doctor Who star looked effortlessly stylish in her pretty purple skirt, which she toughened up with a black pair of chunky biker boots.
Gorgeous: Jenna Coleman, 35, nailed autumnal chic in a floral midi skirt and burnt orange coat as she stepped out to grab takeout coffee in London, on Tuesday
Ensuring she kept warm as temperatures in the capital continued to plummet, Jenna wore thick black leggings beneath her ensemble.
She wrapped up with a high-necked black jumper and layered over the top with her sumptuous longline coat boasting frill edging.
Share this article
Adding an extra twist, Jenna carried her belongings in a dogtooth print crossbody bag and shielded her eyes with vintage shades.
Stylish: The Doctor Who star looked effortlessly stylish in her pretty purple skirt, which she toughened up with a black pair of chunky biker boots
Jenna recently arrived back in England after visiting Paris for Fashion Week at the start of October.
She jetted to a number of different countries over the summer after relaxing at a wellness retreat in Spain.
In August it was revealed that Jenna would be joining the cast of new series The Sandman.
She will play Johanna Constantine, the great-great-great grandmother of comic book character John Constantine, who was played by Keanu Reeves in 2005 film Constantine.
Divine: She wrapped up with a high-necked black jumper and layered over the top with her sumptuous longline coat boasting frill edging
In a blog post on Netflix's website, show creator Neil Gaiman explained why he chose Jenna, writing: 'I created her (Johanna) to fill the role that John Constantine does in the past.
'When we broke down the first season, given that we knew that we would be encountering Johanna in the past, we wondered what would happen if we met a version of her in the present as well.
'We tried it and the script was sparkier, feistier, and in some ways even more fun.
'So having written her, we just had to cast her. Jenna Coleman gave us the Johanna of our dreams - tough, brilliant, tricky, haunted and probably doomed.'
