‘The Great Artist’: A movie that explores the brilliance of a struggling thoughts

3 min read

In the very first shot of Indrani Pal-Chaudhuri’s The Great Artist, the titular character establishes chaos, which later unravels because the 23-minute quick movie progresses.
A crescendo introduces us to Matthew Postlethwaite’s ‘Great Artist’, the protagonist, as he waltzes his manner into an artwork exhibition, visibly fraught. Moments later, he composes himself as if presenting a tiny piece of his persona to a determined viewers.
Fragments of his dialog together with his therapist play out, revealing intimate particulars of his troubled life, particularly the cope with stardom and his swedge with ‘greatness’.
“I did not want to go; a lot of the people there, I don’t connect to them… [I went because] I don’t want to let anybody down.”
The Great Artist, at present screening at Yellowstone International Film Festival, offers a tempestuous gaze into the thoughts of a gifted man. It makes for an uncomfortable watch — a set off gushing by means of the sluices of a fancy thoughts wrestling with the thought of greatness and having to battle with demons as an alternative.
It is established pretty early that Postlethwaite’s Great Artist is certainly one of his alter identities. He suffers from Dissociative Identity Disorder (DID), and his present of artwork hangs precariously inside his uneasy thoughts.
Inside, there’s pandemonium, and out of doors, he has to maintain up with the sham of getting all of it properly put collectively. Postlethwaite, subsequently, does a superb job strolling a tightrope that hangs this fashion and that, preserving a steadiness between creating world-class artwork, and silently struggling like a prisoner inside his personal head.

In one of many scenes, he nervously flirts together with his therapist, wanting tentatively into his eyes earlier than leaning in for a kiss. And in one other, he seems sheepish about having pulled that stunt.
In his moments of vulnerability, he finds himself portray, making a masterpiece, letting all of his personalities creep out one after the other. He is a lover, madly connected to his girlfriend Angela (performed by Rain Valdez), whom he calls his “reflection”. He dedicates certainly one of his artworks to their all-consuming relationship.
He can also be a lady — sitting daintily by the window, sipping her tea and making a self-portrait, He is a baby with a drastically totally different perspective of artwork.
When he paints, he permits his identities to shine, acutely conscious that the Great Artist — the one who ultimately presents the artworks to the world — is however a cumulation of each single certainly one of them.
There is a deep void, a concern even, that displays in his eyes. Postlethwaite, who has produced the quick and in addition written its screenplay, appears to convey that he feels trapped, like he’s an imposter, hiding behind his personal oeuvre, begging for assist.
Matthew Postlethwaite’s ‘Great Artist’ is a gifted man who finds himself feeling like an imposter.
His workforce isn’t unaware of his affliction. His supervisor Perry, performed by Marimar Vega, says “every star needs darkness to shine”, alluding to the truth that the artist’s distinction is the results of his psychological struggling, one which he himself acknowledges ultimately.
“For great art there must be suffering.”
It is the climax that’s really sensible — one which earned the movie a consideration for the Live Action Short Film shortlist for 93rd Academy Awards. The Great Artist extricates himself and all of his personalities from the nice struggling that enabled them to make artwork, permitting medical intervention as an alternative.
In that second, he tastes freedom.
In a world that’s nonetheless awakening to psychological well being points, The Great Artist paints an audacious image of a caged thoughts. It isn’t a brand new trope — M. Night Shyamalan had beforehand explored DID in his movie, Split — however one which holds an vital discourse on trauma.
Then, are all of us striving to attain ‘greatness’ by holding our genuine self hostage? This is the haunting query that Pal-Chaudhuri leaves her viewers with.
(The Yellowstone International Film Festival is dwelling to impartial cinema from all over the world. The screening ends July 9, 2021)

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