Dior plays the tarot card as haute couture comes up trumps


In the age of sweatpants, haute couture – vogue’s superleague, through which attire are made to order and price about £100,000 – is having fun with an unlikely boomtime.

The haute couture lineup has been invigorated by various new names together with up to date American artist Sterling Ruby, who counts the thrash metallic band Slayer amongst his vogue influences and whose new assortment features a crimson, white and blue loose-yarn coat, which alludes to “the current political climate, the Trump administration and the ongoing threat of rightwing anger”.

The home of Schiaparelli, contemporary from a triumphant Lady Gaga second at the inauguration, have embellished this season’s robes with jewelled seahorses and gold casts of molar tooth.

Alber Elbaz, a cult determine a lot missed since his departure from Lanvin 5 years in the past, will launch his new AZ model with a digital assortment and a livestreamed talkshow on Wednesday. Fendi be part of the January haute couture schedule for the first time of their 95-year historical past, with a womenswear debut from new British signing, Kim Jones. The digital Fendi present is rumoured to star Demi Moore, as nicely as Kate Moss and her daughter Lila.

With catwalk reveals off limits, Dior designer Maria Grazia Chiuri costumed tarot card characters for a 15-minute movie shoot at a Tuscan citadel by Gomorrah director Matteo Garrone: the Magician wore a floor-length hooded night coat embroidered with feathers; the Sun a sundress with celestial embroidery on pale gold lace.

Maria Grazia Chiuri (centre). Photograph: Benoît Tessier/Reuters

Since 2016 Chiuri has rebooted Dior as a progressive model, phasing out old school ideas of female appeal in favour of the primacy of the feminine gaze. The tensions of the previous 12 months have seen her retreat from political statements in direction of a daintier aesthetic and a extra whimsical temper, with the hot-take feminist slogan T-shirts, which had change into a signature, on maintain. In a Zoom name from her Paris studio earlier than the present, an angelic magnificence from Botticelli’s Pallas and the Centaur could possibly be seen on Chiuri’s moodboard. The centaur, which in the portray the goddess of data holds firmly by his hair, was cropped out of sight.

Garrone’s movie had appeal – and, after final season’s criticism for lack of range, a black High Priestess. There was a quick love scene, suggesting that vogue is studying just a few of Hollywood’s tips of the commerce for preserving audiences engaged, for as lengthy as movie continues to sub in for catwalk reveals. There was even a pinch of Bridgerton spice in the cantilevered empire line bosom of the Wheel of Fortune’s cloud-grey robe. “There is one school of thought that says tarot cards are about the future, but the point of view that fascinates me says that they help you to learn about yourself,” stated Chiuri.

Dior shoppers “are ordering beautiful clothes to wear at home,” Chiuri stated. “There are many countries with a culture of dressing beautifully within the home. And the beauty of haute couture is that if a client wants something simpler, then we can make it for them. We can make pyjamas in our couture atelier,” she stated, earlier than including: “I am a little bit lazy, myself. If I am alone, I don’t care so much what I wear.”

The survival of haute couture is a mirrored image of the inequity with which the pandemic has hit incomes. The privileged few who make up haute couture’s goal market have been largely insulated from the financial insecurity of the final 12 months. But it additionally factors to an trade shifting away from the four-seasons-a-year pattern cycle which has pushed the blockbuster ready-to-wear reveals and a return to a slower tempo. Haute couture attire are made to order over a number of months and worn not only for a number of seasons, however for a number of generations – and so don’t pander to fleeting tendencies.



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