What if Hitchcock directed lockdown? – the week in art


Exhibition of the week

Rear Window
Stuck indoors for lockdown? This witty on-line present suggests it’s a bit like being James Stewart in Alfred Hitchcock’s Rear Window. In this cinema traditional, Stewart performs an ace photographer trapped in his condominium with a damaged leg. Like Stewart’s curious voyeur watching his neighbours, you might be tempted right here to “spy” on seductive artworks by Jeff Wall, Ellen Altfest, Gillian Carnegie and extra. Good enjoyable.
White Cube online.

Also exhibiting

Becoming Richard Burton
A Welsh icon is well known in this nostalgic exhibition at Cardiff’s National Museum, which is open.
National Museum of Wales, Cardiff, from tomorrow until 11 April.

Artemisia
With its five-star survey of the sword-wielding baroque painter Artemisia Gentileschi quickly closed, the National Gallery gives a brand new on-line curator’s tour with Letizia Treves.
National Gallery online.

Mary Quant
This celebration of the Sixties icon is open with social distancing.
V&A Dundee until 17 January.

Paolo Pellegrin
Black-and-white photographs of a world in hazard by the globetrotting Magnum photographer.
Michael Hoppen Gallery online until 10 January.

Image of the week

Adam Lowe at the Factum Arte workshop in Madrid. Photograph: Denis Doyle/The Guardian

From the tomb of Tutankhamun to Raphael’s Sistine masterpieces, Adam Lowe makes excellent copies for governments and galleries the world over. But he’s not a forger – he’s a liberator. Read the interview.

What we discovered

The art world is divided over whether to sell to stay alive

while a new Nigerian museum could solve the Benin bronzes row

and UK museums and galleries fear Covid poses existential threat

Manchester is knocking down its modernist Tadao Ando wall in Piccadilly Gardens

Angelina Jolie is to direct a biopic of photographer Don McCullin

We probed the mystery of a vanishing Botticelli

A photobook on slaughterhouses punches for the vegan cause

Maggi Hambling responded to her Wollstonecraft statue critics

Steve McQueen celebrated black NHS nurses through the decades

Johny Pitts searched for identity in his home town

while we got the inside track on California

Ugly buildings are on the rise

Homeless people drew their own graphic novel

Stefan Brüggemann has words about the US-Mexican border

Kei Nomiyama followed fireflies

Photo Vogue festival looked at the changing face of fashion

Anthony Hill, artist, mathematician and theoretician of the British constructionist movement, has died aged 90

Mohamed Melehi, whose paintings took inspiration from the craft culture of his native Morocco, has died

We remembered rock photographer Baron Wolman

Masterpiece of the week

Hans Memling's Saint John the Evangelist about 1478
Photograph: © The National Gallery, London

Saint John the Evangelist, about 1478, by Hans Memling
There’s a young, pure high quality to this depiction of a handsome saint. The determine remains to be and calm however not stiff or formal. Memling, born in Germany, was the most in-demand painter in Bruges, in Flanders, in the 1470s, attracting commissions from throughout Europe. This work is a side-wing of an altarpiece commissioned by the Welsh-born Sir John Donne, a courtier of Edward IV of England. Bruges grew to become a scorching spot of European art in the early 1400s when Jan van Eyck perfected a revolutionary new means of depicting actuality. Memling’s candy Saint John reveals how he has mastered that intimate realism whereas giving it a extra elegant, nearly Italian grace.
National Gallery, London.

Don’t overlook

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