L Brands Launches Tender Offers for 5.625% Senior Notes due 2022\, 5.625% Senior Notes due 2023\, 7.60% Notes due 2037 and 6.95% Exchange Debentures due 2033


L Brands Launches Tender Offers for 5.625% Senior Notes due 2022, 5.625% Senior Notes due 2023, 7.60% Notes due 2037 and 6.95% Exchange Debentures due 2033

| Source: L Brands, Inc.

COLUMBUS, Ohio, Sept. 16, 2020 (GLOBE NEWSWIRE) -- L Brands, Inc. (NYSE: LB) announced today that it has commenced tender offers (the “Tender Offers”) to purchase for cash its outstanding (i) 5.625% Senior Notes due 2022 (the “2022 Notes”), (ii) 5.625% Senior Notes due 2023 (the “2023 Notes”), (iii) 7.60% Notes due 2037 (the “2037 Notes”) and (iv) 6.95% Exchange Debentures due 2033 (the “2033 Notes” and, together with the 2022 Notes, the 2023 Notes and the 2037 Notes, the “Notes”) up to an aggregate principal amount that will not result in a maximum aggregate purchase price (excluding accrued and unpaid interest) that exceeds $750 million (the “Maximum Aggregate Purchase Price”), subject to the Sub-Cap (as defined below), the order of priority and proration provisions set forth in the Offer to Purchase described below. The maximum aggregate purchase price to be paid by the company for the 2037 Notes and 2033 Notes, excluding accrued but unpaid interest, is limited to $50 million (the “Sub-Cap”). In addition, simultaneously with the Tender Offers, we plan to optionally redeem all outstanding notes of our 6.625% Senior Notes due 2021.

The complete terms and conditions of the Tender Offers and Consent Solicitations (as defined below) are set forth in the Offer to Purchase and Consent Solicitation Statement dated September 16, 2020 (the “Offer to Purchase”) that is being sent to holders of the Notes. Capitalized terms used in this press release and not defined herein have the meanings given to them in the Offer to Purchase.

The Tender Offers and Consent Solicitations are commencing today. Subject to the Maximum Aggregate Purchase Price and/or the Sub-Cap, the amount of a series of Notes that is purchased in the Tender Offers will be based on the order of priority (the “Acceptance Priority Level”) for such series of Notes set forth in the table below, with 1 being the highest Acceptance Priority Level and 4 being the lowest Acceptance Priority Level, as further described in the Offer to Purchase. It is possible that the company may not accept all Notes tendered under the Tender Offers. If the acceptance of all tenders in the Tender Offers would result in a maximum aggregate purchase price (excluding accrued and unpaid interest) that exceeds the Maximum Aggregate Purchase Price, tenders will be subject to proration arrangements as described in the Offer to Purchase.

Certain key terms of the Tender Offers are summarized in the table below:

     Dollars per $1,000 Principal
Amount of Notes
Series of Notes CUSIP
Number/ISIN
 Aggregate
Principal
Amount

Outstanding ($)
 Acceptance
Priority
Level
 Tender Offer
Consideration
(1)
($)
 Early Tender
Premium

($)
 Total
Consideration
(1)(2)
($)
5.625% Senior Notes due 2022 532716AU1 / US532716AU19 $860,466,000 1 $997.50 $50.00 $1,047.50
5.625% Senior Notes due 2023 501797AJ3 / US501797AJ37 $500,000,000 2 $1,010.00 $50.00 $1,060.00
7.60% Notes due 2037 532716AN7 / US532716AN75  $300,000,000 3 $900.00 $50.00 $950.00
6.95% Exchange Debentures due 2033 532716AK3 / US532716AK37 $350,000,000 4 $870.00 $50.00 $920.00

  1. Does not include accrued but unpaid interest, which will also be payable as provided herein.
  2. Includes an Early Tender Premium of $50 for each $1,000 aggregate principal amount of Notes validly tendered prior to the Early Tender Time referred to below (and not validly withdrawn) and accepted for purchase by us.

The consideration for each $1,000 principal amount of Notes validly tendered and accepted for purchase will be determined in the manner described in the Offer to Purchase. As described in the Offer to Purchase, tendered Notes may be withdrawn on or before, 5:00 p.m., New York City time, on September 29, 2020 (unless extended), but may not be withdrawn thereafter, except in limited circumstances required by law. The Tender Offers will expire at 11:59 p.m., New York City time, at the end of the day on October 14, 2020, unless extended (such date and time, as the same may be extended, the “Expiration Date”) or earlier terminated by us. In order to receive the applicable Total Consideration, holders of Notes must validly tender and not validly withdraw their Notes on or before the Early Tender Time, which is 5:00 p.m., New York City time, on September 29, 2020, unless extended. Subject to the terms and conditions of the Tender Offers, (i) the date of purchase for Notes validly tendered on or before the Early Tender Time and accepted for purchase is currently expected to be October 1, 2020 (the “Early Settlement Date”) and the date of purchase for Notes validly tendered on or before the Expiration Date and accepted for purchase (other than Notes purchased on the Early Settlement Date) is currently expected to be October 16, 2020 (the “Settlement Date”). All Holders of Notes accepted for purchase pursuant to the Tender Offers will also receive the accrued and unpaid interest applicable to such Notes from the last interest payment date until, but not including, the Early Settlement Date or Settlement Date, as applicable.

The Tender Offers and Consent Solicitations are subject to the satisfaction or waiver of certain conditions, including the receipt by the company of the proceeds from an issuance of senior unsecured debt securities in an aggregate principal amount of at least $750 million.

As part of the Tender Offers, L Brands, Inc. is also soliciting consents (the “Consent Solicitations”) from the holders of the 2022 Notes and the 2023 Notes (collectively, the “Consent Notes”) for certain proposed amendments described in the Offer to Purchase that would, among other things, eliminate certain of the restrictive covenants under each indenture governing a series of Consent Notes (the “Proposed Amendments”). Adoption of the Proposed Amendments with respect to each series of Consent Notes requires the requisite consent applicable to each series of Consent Notes as described in the Offer to Purchase (the “Requisite Consent”). Each holder tendering Consent Notes pursuant to the Tender Offers must also deliver a consent to the Proposed Amendments pursuant to the related Consent Solicitation and will be deemed to have delivered their consents by virtue of such tender. Holders may not deliver consents without also tendering their Consent Notes. The Proposed Amendments will not become operative until (i) Consent Notes of the relevant series satisfying the Requisite Consent have been validly tendered and (ii) L Brands, Inc. consummates the Tender Offer with respect to such series of Consent Notes in accordance with its terms and in a manner resulting in the purchase of all Consent Notes of such series validly tendered before the Early Tender Time (if the aggregate purchase price, excluding accrued but unpaid interest, of Notes validly tendered before the Early Tender Time equals or exceeds the Maximum Aggregate Purchase Price) or before the Expiration Date (if it does not). If the Proposed Amendments become operative with respect to a series of Consent Notes, holders of that series of Consent Notes that do not tender their Consent Notes prior to the Expiration Date, or at all, will be bound by the Proposed Amendments, meaning that the remaining outstanding Consent Notes of that series will no longer have the benefit of certain existing covenants contained in the applicable Indenture. In addition, such holders will not receive either the Tender Offer Consideration or the Early Tender Premium.

The company expressly reserves the right for any reason, subject to applicable law, to extend, abandon, terminate or amend the Tender Offers and Consent Solicitations. The Tender Offers are not conditioned on the tender of any minimum principal amount of Notes, the consummation of any other Tender Offer or obtaining any Requisite Consent.

Copies of the Offer to Purchase may be obtained from the information agent, Global Bondholder Services Corporation, by calling (212) 430-3774 (banks and brokers) or (866) 470-2200 (all others) by email to contact@gbsc-usa.com or from the lead dealer manager for the Tender Offers: J.P. Morgan Securities LLC, by calling collect at (212) 834-2045 or toll free at (866) 834-4666.

This press release shall not constitute an offer to purchase or a solicitation of an offer to sell with respect to any securities, nor shall it constitute a notice of redemption for the 6.625% Senior Notes due 2021. Any offer or solicitation with respect to the Tender Offers will be made only by means of the Offer to Purchase, and the information in this press release is qualified by reference to the Offer to Purchase. The Tender Offers are not being made to holders of Notes in any jurisdiction in which the making or acceptance thereof would not be in compliance with the securities, blue sky or other laws of such jurisdiction. Holders must make their own decision as to whether to tender any of their Notes, and, if so, the principal amount of Notes to tender.

ABOUT L BRANDS:
L Brands, through Bath & Body Works, Victoria’s Secret and PINK, is an international company.  The company operates 2,709 company-owned specialty stores in the United States, Canada, the United Kingdom and Greater China, and its brands are also sold in more than 700 franchised locations worldwide.  The company’s products are also available online at www.bathandbodyworks.com and www.victoriassecret.com.

Safe Harbor Statement Under the Private Securities Litigation Reform Act of 1995

We caution that any forward-looking statements (as such term is defined in the Private Securities Litigation Reform Act of 1995) contained in this press release or made by our company or our management involve risks and uncertainties and are subject to change based on various factors, many of which are beyond our control. Accordingly, our future performance and financial results may differ materially from those expressed or implied in any such forward-looking statements. Words such as “estimate,” “project,” “plan,” “believe,” “expect,” “anticipate,” “intend,” “planned,” “potential” and any similar expressions may identify forward-looking statements. Risks associated with the following factors, among others, in some cases have affected and in the future could affect our financial performance and actual results and could cause actual results to differ materially from those expressed or implied in any forward-looking statements included in this press release or otherwise made by our company or our management:

We are not under any obligation and do not intend to make publicly available any update or other revisions to any of the forward-looking statements contained in this press release to reflect circumstances existing after the date of this press release or to reflect the occurrence of future events even if experience or future events make it clear that any expected results expressed or implied by those forward-looking statements will not be realized.

For further information, please contact: 
  
L Brands:  
Investor Relations   Media Relations  
Amie Preston   Brooke Wilson  
(614) 415-6704(614) 415-6042  
communications@lb.com    

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L Brands Launches Tender Offers for 5.625% Senior Notes due 2022\, 5.625% Senior Notes due 2023\, 7.60% Notes due 2037 and 6.95% Exchange Debentures due 2033

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L Brands Launches Tender Offers for 5.625% Senior Notes due 2022\, 5.625% Senior Notes due 2023\, 7.60% Notes due 2037 and 6.95% Exchange Debentures due 2033

Body Rots At Indore's Maharaja Yeshwantrao Hospital Mortuary, Kept On Stretcher For 11 Days

Body Rots At Indore Hospital Mortuary, Kept On Stretcher For 11 Days

The hospital said the unidentified man's body had been at the mortuary for 11 days and that it was kept on the stretcher to be handed over to an NGO or Indore's civic body employees to perform last rites.

Body Rots At Indore Hospital Mortuary, Kept On Stretcher For 11 Days

The body had been at the mortuary of Maharaja Yeshwantrao (MY) Hospital for 11 days

Indore:

A highly decomposed body of a man was found in the mortuary of government-run hospital in Madhya Pradesh's Indore on Tuesday. The body, with its skeleton, was found on a stretcher in the mortuary of Maharaja Yeshwantrao (MY) Hospital, the city's largest hospital.

The hospital said the unidentified man's body had been at the mortuary for 11 days and that it was kept on the stretcher to be handed over to an NGO or Indore's civic body employees to perform last rites.

A notice will be given to those responsible for the mortuary and a probe into the alleged lapse will be started, said Dr PS Thakur, superintendent of Maharaja Yeshwantrao Hospital.

"Since the COVID-19 outbreak in the district, the load on the mortuary has increased and many times, we ran out of freezers. At present, the mortuary has 16 freezers for preservation of the body. But it has been receiving bodies more than its capacity in a day, sometimes even 21 or 22. So we had requested the government earlier too about increasing the number of freezers," he said.

In July, a family cremated a different person instead of their son, who shared the same name, in an alleged mix-up by the same hospital. A complaint was filed accusing the hospital management of gross negligence.

L Brands Launches Tender Offers for 5.625% Senior Notes due 2022\, 5.625% Senior Notes due 2023\, 7.60% Notes due 2037 and 6.95% Exchange Debentures due 2033

Japanese actress Sei Ashina is found dead in her Tokyo apartment at age 36 | Daily Mail Online
 
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Japanese actress Sei Ashina is found dead in her Tokyo apartment at age 36

  •  Ashina's death by suicide was confirmed by her management company and the Tokyo police
  • The actress was best known for playing one of the lead roles in the 2007 historical drama Silk, an international co-production directed by François Girard 
  • No motive is currently known for Ashina's death, and she doesn't appear to have left a note
  • Her brother was the first to discover her body after she failed to return text messages and phone calls starting on Sunday 
  • Ashina, whose real name was Igarashi Aya, was born in 1983 and grew up in Japan's Fukushima Prefecture 

The Japanese actress Sei Ashina was found dead at age 36 in her apartment in Tokyo on Monday.

Ashina's death by suicide was confirmed by her management company and the Tokyo police, according to Variety.

The actress was best known for playing one of the lead roles in the 2007 historical drama Silk, an international co-production directed by François Girard. 

Tragic news: The Japanese actress Sei Ashina was found dead in her Tokyo apartment on Monday at age 36. Tokyo police and her management company have called her death a suicide; pictured in 2010 in Tokyo

Tragic news: The Japanese actress Sei Ashina was found dead in her Tokyo apartment on Monday at age 36. Tokyo police and her management company have called her death a suicide; pictured in 2010 in Tokyo

No motive is currently known for Ashina's death, and she doesn't appear to have left a note.

Her brother was the first to discover her body after she failed to return text messages and phone calls starting on Sunday.  

A statement from her representatives, HoriPro, called Ashina's death 'sad and unfortunate.' 

'The detailed situation is currently under investigation, but we would like to ask the media to consider the deep sorrow of their families and refrain from interviewing them,' it read.

'We would like to express our sincere gratitude for the kindness of Ashina during his lifetime and pray for the souls of all of you.'

Sad discovery: Ashina's body was discovered by her brother after she stopped responding to calls and messages on Sunday. No note was found; pictured in July 2019

Sad discovery: Ashina's body was discovered by her brother after she stopped responding to calls and messages on Sunday. No note was found; pictured in July 2019

Showbiz dreams: Ashina, whose real name was Igarashi Aya, was born in 1983 in Fukushima Prefecture. She moved to Tokyo as a teen to pursue modeling, before her 2002 acting debut; still from Silk

Showbiz dreams: Ashina, whose real name was Igarashi Aya, was born in 1983 in Fukushima Prefecture. She moved to Tokyo as a teen to pursue modeling, before her 2002 acting debut; still from Silk

Ashina, whose real name was Igarashi Aya, was born in 1983 and grew up in Japan's Fukushima Prefecture.

Following a move to Tokyo when she was just a teenager, Ashina began a career as a model. 

Her onscreen acting debut came in the 2002 Tokyo Broadcast System drama series A Tale Of Happiness (Shiawase no Shippo).

Following more film and television projects, she scored her highest-profile film with Silk, an adaptation of the Italian author Alessandro Baricco novel of the same name. 

The big time: Following more film and television projects, she scored her highest-profile film with Silk, an adaptation of the Italian author Alessandro Baricco novel of the same name; still from Silk

The big time: Following more film and television projects, she scored her highest-profile film with Silk, an adaptation of the Italian author Alessandro Baricco novel of the same name; still from Silk

High-profile role: She starred as an unnamed Japanese concubine, whom Michael Pitt's character falls in love with, despite being married to a teacher (Keira Knightley); still from Silk

High-profile role: She starred as an unnamed Japanese concubine, whom Michael Pitt's character falls in love with, despite being married to a teacher (Keira Knightley); still from Silk

The movie was directed by French–Canadian filmmaker François Girard, best known for helming the critically acclaimed drama The Red Violin. 

American actor Michael Pitt starred as a French silkworm smuggler and Keira Knightley as his wife.

Ashina played an unnamed Japanese concubine whom Pitt's character falls in love with and corresponds with via a series of translated letters.

Ashina scored the role after beating out 800 actresses vying for the part.

TV star: The actress was recently featured on the Japanese series Aibo: Tokyo Detective Duo, in which she played a recurring role from 2017 through this year; shown in 2007

TV star: The actress was recently featured on the Japanese series Aibo: Tokyo Detective Duo, in which she played a recurring role from 2017 through this year; shown in 2007

The actress was recently featured on the Japanese series Aibo: Tokyo Detective Duo, in which she played a recurring role from 2017 through this year.

Earlier this year, she was featured in the film AI Amok. 

Ashina was also a popular voice actress, and she dubbed the the lead character on the American series Revenge, which ran on ABC for four seasons from 2011–2015.  

If you or anyone you know is dealing with suicidal thoughts, call the National Suicide Prevention Lifeline at 1-800-273-8255, text 'STRENGTH' to the Crisis Text Line or click here

Multiple talents: Ashina was also a popular voice actress, and she dubbed the the lead character on the American series Revenge, which ran on ABC for four seasons from 2011–2015; pictured with Keira Knightly in 2007 at the Toronto International Film Festival

Multiple talents: Ashina was also a popular voice actress, and she dubbed the the lead character on the American series Revenge, which ran on ABC for four seasons from 2011–2015; pictured with Keira Knightly in 2007 at the Toronto International Film Festival

Japanese actress Sei Ashina is found dead in her Tokyo apartment at age 36

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L Brands Launches Tender Offers for 5.625% Senior Notes due 2022\, 5.625% Senior Notes due 2023\, 7.60% Notes due 2037 and 6.95% Exchange Debentures due 2033

YouTube 2020: Why politics have exploded on the video platform

YouTube 2020: Why politics have exploded on the video platform

Digital strategists for various political campaigns are exploring ways to seep political discussion deeper into YouTube's niche audiences.
Image: YouTube Election
Adrian Lam / NBC News

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By David Ingram

Politics are hard to miss on YouTube this year.

Last month, Joe Biden made a splash when his campaign bought out YouTube's homepage with an ad about sports stadiums that had been left empty by the coronavirus pandemic. The ad got more than 10 million impressions, his most ever on the site.

President Donald Trump's campaign has purchased YouTube homepage ads, too, and he reserved the space again for early November as voting ends, Bloomberg News has reported. The ads are autoplay, making them all but unavoidable.

Beyond those ads, politics are popping up in all sorts of videos. A legion of well-practiced right-wing YouTube personalities, some with large followings, have been posting daily videos boosting Trump and launching attacks against Biden. And digital strategists for various political campaigns are exploring ways to seep political discussion deeper into YouTube's niche audiences, placing ads alongside cooking shows, for example. Others are working on campaigns that ask for donations, which used to be less common on the site.

YouTube, founded in 2005, has often been overshadowed by the likes of Facebook and Twitter as a place where political campaigning happens online, but this year is shaping up differently, and the fall promises to test YouTube's capacity to serve as a political referee.

"YouTube has come into its own. It has blossomed. It is incredibly effective," said Rebecca Donatelli, president of Campaign Solutions, a political consulting firm that works with Republican candidates. In the realm of politics, she said, "this is the year of YouTube."

Trump himself has more than tripled his YouTube following in five months, growing from 320,00 subscribers in April to more than 1 million now. Politico reported this month that the Trump campaign was trying to flood YouTube with content and leverage the site as a secret weapon, much as the Trump campaign did with Facebook in 2016.

But the Biden campaign says it has doubts. Megan Clasen, a Biden campaign adviser, tweeted that it had outspent Trump on YouTube at the start of September.

In a sense, it's about time YouTube got so much attention. It often ranks first or second on lists of most-visited websites, and it's the most widely used online platform among U.S. adults, a Pew Research Center survey found last year.

It may be that 2020 is an especially good year to match with YouTube as a medium. News about police shootings, Black Lives Matter protests and the coronavirus pandemic is often highly visual.

"That's where the electorate is this cycle, and if it doesn't have a video attached to it, it's not as real," Donatelli said.

But YouTube's emergence as a central political battleground is causing alarm among advocates for voting rights, as well as people who research disinformation online, who fear that the Google-owned service is underprepared for election season.

They point to a growing body of research that has identified YouTube as a primary way people learn to believe conspiracy theories or consume extreme commentary, sometimes fueled by YouTube's recommendation algorithm.

"I still think they really haven't figured out with YouTube how to stop those who are profiting off misinformation and disinformation from continuing to do it," said Joan Donovan, research director of the Shorenstein Center on Media, Politics and Public Policy at Harvard University.

YouTube said it is taking the challenge seriously. Leslie Miller, YouTube's vice president for public policy, wrote in a blog post last month that the service was committed to removing content that violates its rules, such as videos that encourage others to interfere with voting.

The company has outlined other steps to ensure a credible election, such as pledging to terminate channels that misrepresent their countries of origin or conceal their associations with government actors. YouTube has banned videos promoting Nazi ideology and promised a crackdown on "borderline content."

"Over the last few years, we have developed a systematic process to effectively remove violative videos, raise up authoritative content and reduce the spread of borderline content. We apply this framework to elections around the world, including the 2020 U.S. election," YouTube spokesperson Ivy Choi said in a statement.

The primary season saw at least one example of a political dirty trick carried out on YouTube. Last month, as polls opened in Florida, some voters received fake text messages and a YouTube video falsely claiming that Republican congressional candidate Byron Donalds had dropped out. YouTube removed the video, and Donalds prevailed in the primary.

But YouTube's policies still lag behind those at Facebook, Pinterest and Twitter, according to a report card from the Election Integrity Partnership, a group of academics and nonprofits tracking misinformation online. The group says YouTube's policy on voter intimidation, for example, isn't comprehensive enough.

It's not just Nazis and voter intimidation that worry people, however. It's also how YouTube shapes the broader information ecosystem.

More so than in 2016, YouTube is a home for livestreamers and social media celebrities who have built followings of thousands or millions of people. YouTube shares revenue with them and offers other opportunities to make money that other tech platforms don't match.

Donovan of Harvard said she expects some YouTube provocateurs to wield newfound media influence over the next two months, backing one candidate or another. "And we're not going to know if those influencers are being paid by companies, charities, dark money groups or super PACs," she said, because political operatives may be able to avoid disclosure requirements from the company, the government or both.

In February, the Democratic primary campaign of former New York Mayor Michael Bloomberg helped to popularize new marketing forms, such as endorsements from social media meme accounts.

"There's a shadow market for political advertising that is potentially going to be supercharged in the lead-up to the election," Donovan said. If YouTube can't keep up, she said, "the whole of society suffers."

Voting rights lawyers worry about the spread of false information about how to register or how to vote. In a report this month, the Brennan Center for Justice at New York University Law School urged tech companies to increase the visibility of reliable sources, such as election agencies.

When people search for voting information, "some video gamer shouldn't be the No. 1 result," said Ian Vandewalker, senior counsel at the Brennan Center.

Trump's courting of YouTube influencers was on show last year when he invited many of them to a social media summit at the White House. They now make up something like a YouTube cheering section, often popping up on the most-viewed list with a search for Biden's name.

Covid-19 has only added to the value of streaming services like YouTube, said Shannon Kowalczyk, chief marketing officer for Acronym, a group that's working to elect Democrats including Biden.

"People have more time on their hands at home. We've seen streaming numbers surge," Kowalczyk said. Acronym uses YouTube to target people, especially young people, who don't normally tune in to political discussions and may be in a position to be persuaded, she said.

YouTube and Google surprised many digital ad buyers last November when they said they wouldn't allow political campaigns to target ads based on public voter records or political affiliations. They said ads would be more widely available for public discussion.

That caused some money to shift to other platforms that allow narrow targeting, such as Roku, strategists said. But they're also finding YouTube useful in unexpected ways.

"We're using it a lot for fundraising, which is way different from what it has been in the past. It was mostly a persuasion play," said Eric Frenchman, chief marketing officer for Campaign Solutions, the Republican firm. He said the return on investment rivals that of Facebook, where campaigns have typically gone in the past to raise money.