Jacob Tremblay, from left, as Max, Keith L. Williams as Lucas and Brady Noon as Thor in the film, Good Boys, written by Lee Eisenberg and Gene Stupnitsky and directed by Stupnitsky. (Ed Araquel/Universal Pictures via AP)The R-rated comedy, left for dead by some Hollywood studios, again reached No.1 at the box office over the weekend thanks to the raunchy coming-of-age tale Good Boys, about a trio of 12-year-olds on a crude misadventure.
Good Boys surpassed expectations to debut with 21 million dollars, according to studio estimates Sunday, dethroning the Fast & Furious spinoff Hobbs and Shaw, which slid to second with 14.1 million dollars in its third weekend. Not since Melissa McCarthy’s The Boss came in No. 1 all the way back in April 2016 has an R-rated comedy topped the North American box office.
“This is like a unicorn sighting,” said Paul Dergarabedian, senior media analyst for data firm Comscore.
In recent years, R-rated horror has largely taken the place of R-rated comedy at the box office, as Hollywood has increasingly ceded the genre to TV and streaming services. But Universal Pictures, which released Good Boys, has kept the flame. The studio was behind The Boss as well as the intervening years’ highest grossing domestic comedies: 2017’s Girls Trip and 2018’s Night School.
Good Boys broke out of a crowded late-summer field of new releases. The weekend’s other new widely released films — the animated sequel The Angry Birds Movie 2, the shark attack sequel 47 Meters Down: Uncaged, the Bruce Springsteen-inspired drama Blinded by the Light and Richard Linklater’s Cate Blanchett-led Where’d You Go Bernadette — all fizzled.
Good Boys rode a buzzy premiere at South By Southwest, good reviews (80% fresh on Rotten Tomatoes) and the imprimatur of producers Seth Rogen and Evan Goldberg (Good Boys is much like a tween version of Superbad) to notch the best opening for an original comedy this year. Second place is Universal’s body-switch comedy Little.
Directed by Gene Stupnitsky (who co-wrote the script with Lee Eisenberg), Good Boys stars Jacob Tremblay, Keith L. Williams and Brady Noon as sixth graders trying to make it to their first kissing party. The movie’s much-watched red-band trailer traded on its ironies. As Rogen says, Tremblay, Williams and Noon are all too young to see their own movie alone.
Jim Orr, distribution chief for Universal, credited Rogen and Goldberg’s Point Grey Pictures and the film’s clever marketing for the film’s performance.
“This is a genre that is very difficult to do and we’re having great success as a studio with a very diverse slate,” Orr said. “One of the common denominators there is our marketing department. They just over-deliver constantly with a broad range of films.”
The challenge of Good Boys was to turn out moviegoers older than the movie’s pipsqueak protagonists, and it did. Only 7% of the audience was under age 18, according to Universal, though 41% was under 25. Crowds split evenly between the sexes: 52% male, 48% female.
The release strategies behind some of the weekend’s other new films were harder to discern.
Sony’s The Angry Birds Movie 2, on a budget of 65 million dollars, opened with a paltry 10.5 million dollars domestically, though it added 19.4 million dollars internationally. Hoping to snarl kids before school starts, Sony released the film on Tuesday. But it didn’t come close to the 38.2 million dollars domestic debut of the first installment in 2016 despite notably better reviews (76% fresh on Rotten Tomatoes).
Sony’s Once Upon a Time … in Hollywood, however, grossed 53.7 million dollars overseas after expanding to 46 markets — the largest foreign launch for any Quentin Tarantino film, and the best worldwide haul for any film this weekend.
47 Meters Down: Uncaged, from Entertainment Studios, also showed little bite. It debuted with 9 million dollars, a slight downtick from the 11.2 million dollars the first one opened with in 2017.
A pair of films that might have been platform released to build word-of-mouth instead opened wide in bids to stand out in the traditional dumping-ground of late summer. But the results were mixed.
Blinded by the Light, which Warner Bros. plunked down 15 million dollars for at the Sundance Film Festival, took in 4.5 million dollars from 2,307 locations. The film, which has been warmly reviewed, is about a British-Pakistani teen growing up in 1980s England whose life is transformed after he discovers Springsteen.
And United Artists’ Where’d You Go Bernadette grossed 3.5 million dollars from 2,404 locations. Based on Maria Semple’s 2012 comic novel, Linklater’s film earned lukewarm reviews for its tale of a missing mother (Blanchett).
The Good Boys debut gave Universal, also behind Hobbs and Shaw, its third straight weekend at No. 1 and 10th this year — second only to Disney.
With two weeks to go, the overall summer movie season is running 1.9% behind the pace of last summer, according to Comscore.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Where available, the latest international numbers for Friday through Sunday are also included.
1. Good Boys, 21 million dollars (2.1 million dollars international).
2. Hobbs and Shaw, 14.1 million dollars (45.7 million dollars international).
3. The Lion King, 11.9 million (33.8 million dollars international).
4. The Angry Birds Movie 2, 10.5 dollars million (19.4 million dollars international).
5. Scary Stories to Tell in the Dark, 10.1 million dollars (4.4 million dollars international).
6. 47 Meters Down: Uncaged, 9 million dollars.
7. Dora and the Lost City of Gold, 8.5 million dollars (6.6 million dollars international).
8. Once Upon a Time in Hollywood, 7.6 million dollars (53.7 million dollars international).
9. Blinded by the Light, 4.5 million dollars.
10. Art of Racing in the Rain, 4.4 million dollars.
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to Comscore.
1. Once Upon a Time … in Hollywood, 53.7 million dollars.
2. Hobbs and Shaw, 45.7 million dollars.
3. Ne Zha, 39.5 million dollars.
4. The Lion King, 33.8 million dollars.
5. The Angry Birds Movie 2, 19.4 million dollars.
6. Bodies at Rest, 18.9 million dollars.
7. The Bravest, 15.9 million dollars.
8. The Secret Life of Pets 2, 9.7 million dollars.
9. The King’s Avatar: For the Glory, 9.7 million dollars.
10. Toy Story 4, 8.6 million dollars.
