
From Tchaikovsky to Stravinsky, from Duke Ellington to the Beatles, music icons of all stripes solidified their legend with a performance at New York City's Carnegie Hall.
Since business magnate Andrew Carnegie commissioned the hall's construction in the late 1800s, viewers have seen historical performances from thousands of artists and speakers. What viewers couldn't see, however, was what the hall looked like backstage, where famous people wandered the halls in-between their performance.
Until now.Business Insider recently shadowed Iris Derke, the co-founder and general director of the production company DCINY, as she went about planning a musical performance at the fabled hall. The process can start years in advance, and takes communication and planning across the country (and sometimes in different continents).
The hall's backstage primarily holds rooms for performers to relax and socialize. There are television sets and schedules around the building to help artists know where they need to be at all times, as well as paintings and photographs depicting iconic performances across the years.
Here's what it's like to go behind the stage at Carnegie Hall.
To get behind the scenes at Carnegie Hall, I shadowed Iris Derke, the co-founder and general director at the concert production company DCINY.
Before founding her music production company, Derke, a flutist, performed with distinguished orchestras like the Turksoy Symphony Orchestra in Istanbul.
Derke switched to performance direction because she enjoyed creating "immersive experiences" using not only music, but dancers, smoke screens, and other visual elements.
As of May 2019, Derke helped bring together 50,000 artists for more than 200 performances during her 12 years as DCINY general director. She manages a 22-person, full-time staff, plus a seasonal production team that comes in for rehearsals.
"Nothing makes me happier than [when] I'm working with our production department or our box office department and I see their passion for really creating something special and there's a way for me to help them find a way towards making it even better," Derke said.
As general director, Derke plans the performance for years leading up to the actual event. She brings together composers, conductors, and other artists to perform with DCINY's team of professional musicians.
The performance Derke took me behind the stage for was June's 'Buena Onda: Music from South America,' featuring music from composers Maria Guinand and Alberto Grau.
On the day of a performance, Derke usually arrives at Carnegie Hall at 8 am to make sure everything is set up for the stage. She sits through the dress rehearsal shortly before the event starts.
Derke said she's mostly on her phone texting different members of the production team the day of the performance.
Derke says producing a Carnegie Hall performance is all about preparation. "You always have to be 2 steps ahead of what could happen."
Derke says Carnegie Hall is her favorite venue to bring artists because of "the history and the ghosts."
"I mean when you walk out on that stage you think back to how many incredible happenings were there? Since 1891, I mean from Tchaikovsky to Bernstein to Judy Garland and Carol Burnett," Derke said. "When you take the stage and you look at the beauty of the red seats and this gorgeous space, it just brings chills to me every time."
The back of Carnegie Hall is maze-like, so it's feels difficult navigating between the venue's three auditoriums for the first time. Derke says she jokes with her staff that they have to know where they are going because some doors can close on themselves.
There are televisions recording performances at all three auditoriums (Stern, Zankel, and Weill) in multiple areas inside Carnegie Hall. The televisions help artists watch other performances in their down time, as well as help them keep track of when to appear on stage.
Stern Auditorium holds most of the performances, while the smaller Weill stage is primarily for solo and debut artists. Zankel Hall, meanwhile, typically sees performances somewhere in the middle.