Meet the women artist-curator duos taking centre stage at the Venice Biennale 2019
- by Hettie Judah
As well as achieving a balance of male and female artists for the first time, this year’s Venice Biennale reveals plenty of entries that are both created and curated by women—a small but positive move away from the age-old art world boys’ club. Vogue speaks to the key players at the pavilions

The Venice Biennale has been running for well over a century, but it is only in this, it’s 58th edition, that its central exhibition has achieved an equal balance of male and female artists. As with so many things, the upper end of the art world has long been a boys’ club.
As well as the central exhibition, there are exciting female artists representing their countries in the national pavilions, among them Larissa Sansour for Denmark, Kris Lemsalu for Estonia, and Inci Eviner for Turkey. There’s no shortage of eminent female curators taking the reins either: Katerina Gregos, director of a number of biennials in her own right, is here in charge of the Croatian presentation; and writer and filmmaker Nana Oforiatta Ayim is heading up Ghana’s first-ever pavilion.
Of the 87 national pavilions at this year’s Biennale, there are 17 female curator-and-artist pairings, among them teams from Saudi Arabia, Germany and Argentina. Why do we need to celebrate them? Because it’s taken a long struggle against entrenched prejudice for them to get there. Less than a decade ago, Georg Baselitz (who will be honoured in Venice this year with a retrospective at the Gallerie dell’Accademia) explained away the absence of women artists at the top end of the market: “Women don’t paint very well. It’s a fact.” Thankfully, the art world is now changing, even if Baselitz isn’t.
Also read:
The role of the curator in the art world today
How to explore art and architecture in Australia’s capital city, Canberra
All the exhibitions and pop-ups in Mumbai and Delhi you need to visit now