My writing is prompted by the line in Jack Lenor Larsen’s letter to the editor (December/! anuary), “.. .50 years ago when we thought we were part of design and architecture, and happy making work that was useful…”

Over the last 30 years working in the architectural arena, I have watched codes and classifications (levied to line the pockets of organizations) stiffen, regulating the playing field. Creativity can be washed away with these limits and legislation; as well, end¬less verbal battles over what is art and what is design, never mind what is craft, are mostly tiring rather than enlightening.

It has been my good fortune to work with highly skilled tradesmen. Beautifully soldered copper joints with art¬fully placed copper conduits are no less worthy than the drawings for the building in which the plumbers’ work is executed. I wish to go back further than Larsen’s 50 years. Let us remember that the art¬work in the Sistine Chapel was executed by someone who, in his time, was considered a common laborer.

One point of Larsen’s letter, I believe, is that we are a part of a whole in the pursuit of making our living environment beautiful and cohesive. I appreciate what American Craft provides as springboard for thought and discussion. ANN E. GRASSO

Providence, Ri

Kalman Conversation II

We were excited to see that the cover of the October/No- vember issue is an image by Lauren Kalman that we bought for the Museum of Fine Arts, Boston. Including two others that illustrate your essay, you unknowingly published three of the four we presented to the museum. Both Dale Anderson (collector of sometimes-challenging art, to whom I happen to be married) and Kelly L’Ecuyer, curator of contemporary jewelry at the м FA, loved this work, and we are all delighted that you took it seriously and have published it with such gusto, BRAVO!!

DOUG ANDERSON Palm Beach, FL

I have enjoyed your informative articles, variety of craft forms, and listings and ads of places to find quality craft- work. Yet, I feel your magazine has been on a deteriorating course and is failing to highlight work of quality de¬sign and craftsmanship. I now find little in it that would rank as fine crafts, which contradicts the fine work still to be found at your craft fairs.

The October/November issue with its tasteless cover and horrid article has confirmed that I will not be renewing my membership.

DAN HARDISON

Wilmington, NC
https://cryptotek.me/