War films make me uneasy. It’s probably my “libtard” upbringing. But watching Uri: The Surgical Strike made me realise I was particularly uncomfortable with Indo-Pak war films — the hyper-masculine construct of the “dushman” (enemy), a hyper-nationalistic version of patriotism and a hyper-emotive background score where the drum beats are supposed to get you to rise from your seat and thump your chest.
This Vicky Kaushal-starrer is no different. But only if you pay attention to the social, political and historical contexts of the film. For ...
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