Two of my favourite scenes involving large statues are from Satyajit Ray’s Hirak Rajar Deshe (1980) and Wolfgang Becker’s Good Bye Lenin! (2003). The first one falls on its face in the mud. The second one flies into oblivion.
In both cases, the statues are metaphors of pride, hubris. The first one belongs to a cruel, albeit fictional king. The second one belongs to Bolshevik leader Vladimir Lenin who has been elevated by some of fans into a god-like stature. In both cases, the hapless and humorous fate of the monuments turns into a critique of pride and hubris of those who ...
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