Romance Was Born collections that landed the Australian label a Paris couture show – in pictures
As the Australian fashion label launched its latest collection at Australian fashion week, designers Anna Plunkett and Luke Sales announced they have been invited to show during the Paris couture collections in July 2018 – a high honour in the fashion world. Since the pair launched their label in 2005 fresh out of art college, their eclectic designs have brightened many a runway and red carpet. We look back at some of their collections
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Romance Was Born’s latest collection – ‘Opal Goddess’ resort 2018 – is a collaboration with artist Jenny Kee, who designed many of the prints. With more than a touch of Parisian-inspired whimsy, the outfits are embellished with sequins, crystals and flounces.Photograph: Matt Jelonek/WireImage
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Anna Plunkett and Luke Sales (pictured here at their ‘Berserkergang’ spring/summer 2012 collection) became friends when they met at a Sydney art college in 2002. As they explain in their new book, they were both outsiders, drawn together by their love of alternative music, fashion and culture. In 2005, they entered international fashion competition ITS#FOUR, flying to Italy to compete under the name Romance Was Born, a phrase seen on a badge in Sydney’s Chinatown. They were the only Australian finalists among 500 international entrants – and a brand was born.Photograph: Ryan Pierse/Getty Images
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Cate Blanchett has long been a champion of the label, first appearing on the red carpet in one of their designs – a bright crocheted patchwork dress – in 2009 at the opening of the Screen Worlds exhibition in Melbourne. When Blanchett was artistic director of the Sydney Theatre Company, the label collaborated on the eclectic costumes for Edward Gant’s Amazing Feats of Loneliness.Photograph: Scott Barbour/Getty Images
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‘Nocturnal’ autumn/winter 2007 was their second full collection and Sales has said it was a reflection of their fresh-out-of-art-college lifestyle. The collection included what they described as a pearl balaclava, French lace, antique jet beading and vintage crochet – often all at the same time.Photograph: Kristian Dowling/Getty Images
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The ‘Whispering Angel’ 2016 collection shown at Carthona house in Sydney’s Darling Point was inspired by showman Liberace, or at least Liberace’s home – an Italian-style grotto full of artificial froth and flounces. The gowns delighted the fashion press, and the models seemed to be having just as much fun.Photograph: Caroline McCredie/Getty Images
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The ‘Cooee Couture’ resort 2015 show was held at the Art Gallery of New South Wales, and the collection was a collaboration with Australian fashion designer and close friend Linda Jackson, inspired by her 70s bush couture. The designs amped up the colours and loaded on the sequins.Photograph: Caroline McCredie/Getty Images
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The designers are known for working with artists and friends, and one of their frequent collaborators is artist Del Kathryn Barton. Her eye print is one of their most recognised motifs, seen here at the David Jones parade in February 2018.Photograph: Mark Nolan/Getty Images for David Jones
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‘Mushroom Magic’ was their spring/summer 2013 collection, inspired by artists Pip & Pop and filled with references to Strawberry Shortcake dolls and psychedelia.Photograph: Matt Jelonek/WireImage
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Energy fields, hippies and long-time collaborator Del Kathryn Barton were the inspiration behind the spring/summer 2017 ‘Aura Aurora’ collection, which was filled with lace, crystals and whirling colours.Photograph: Matt Jelonek/WireImage
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The graphic ‘Berserkergang’ spring/summer 2012 collection was a riff off Marvel comics, Wonder Woman and Annie Lennox.Photograph: Torsten Blackwood/AFP/Getty Images
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The ‘Renaissance Dinosaur’ spring/summer 2010 collection was one of the pair’s most popular. It started as a joke, after Plunkett visited Italy and was inspired by the Renaissance, and Sales envisaged dinosaurs after a trip to Lord Howe Island.Photograph: Stefan Gosatti/Getty Images
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The final look in the ‘Renaissance Dinosaur’ spring/summer 2010 collection was a ‘dino bride’ on the shoulders of a ‘tottering lace-draped himbo’. Fashion writer Tim Blanks compared the collection to a John Waters film.Photograph: Torsten Blackwood/AFP/Getty Images
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The ‘Budgie Girl’ dress, made with tulle, feathers and crystals, was one of the many highlights of the ‘Doilies and Pearls, Oysters and Shells’ spring/summer 2009/10 show. The show was a tribute to the pair’s grandmothers and to growing up near the sea, hence the title. The ‘Cate blanket’ crocheted dress worn by Cate Blanchett (see above) was also part of this collection.Photograph: Lisa Maree Williams/Getty Images
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Australian designer Jenny Kee (middle) has long been a mentor, collaborator and close friend to Plunkett and Sales. They were on hand to celebrate when Kee picked up the fashion laureate award in 2017.Photograph: Brendon Thorne/Getty Images for IMG
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Another look from the ‘Renaissance Dinosaur’ spring/summer 2010 collection, which also saw collaborations with Melbourne artist Kate Rohde. The pair were inspired by her fantastical handmade work.Photograph: Stefan Gosatti/Getty Images
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During the design process, most of the creations are fitted on Anna Plunkett. The pair often wear their own pieces to events. Here, Plunkett and Sales attend the opening night party for the 2010 Melbourne fashion festival at Government House.Photograph: Wendell Teodoro/WireImage
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The ‘Bush Magic’ autumn/winter 2015 collection was inspired by May Gibbs’ gumnut babies. This intricately beaded gown was purchased by Sydney’s Powerhouse Museum for its design collection.Photograph: Liz Barnes/StyleMelbourne
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‘Kawaii Hawaii’ was the label’s spring/summer 2013 collection, inspired by Japanese wood carvings, Kokeshi dolls and shell art.Photograph: Stefan Gosatti/Getty Images
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The ‘obsession applique coat’, made from metallic faux leather, beads and sequins, was part of the ‘Sincerely Yours’ spring/summer 2016 collection. The designers collaborated with artist Sarah Contos and were inspired by the 80s, Las Vegas cabaret and commedia dell’arte.Photograph: Mark Nolan/Getty Images for David Jones
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The designers got philosophical with their resort 2011 collection ‘The Oracle’, as they thought about life and death, endings and beginnings. They also looked to The NeverEnding Story for inspiration: this look was dubbed the Falkor wedding dress, and it was made from nylon, raffia, silk taffeta and covered in Swarovski crystals.Photograph: Lisa Maree Williams/Getty Images
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