Amazing grace: 45 years of Cloud Gate Dance Theatre – in pictures
A Taiwanese company with a national day – 21 August – and a street named after it, Cloud Gate Dance Theatre combine dance, martial arts, meditation and calligraphy in beautiful visual spectaculars
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Formosa will be Lin Hwai-min’s swansong work for the company before he steps down in 2019. He began the company in 1973.Photograph: Liu Chen-hsiang
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Named after the word 16th-century sailors used to describe Taiwan, Formosa (‘beautiful’ in Portuguese) will be performed in London this month.Photograph: Liu Chen-hsiang
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Formosa is described as ‘a love letter to Taiwan’.Photograph: Liu Chen-hsiang
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Cloud Gate’s 1978 work Legacy depicted the pioneers of Taiwan and looked at the planting and harvesting of rice.Photograph: Liu Chen-hsiang
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Chou Chang-Ning and Hwang Sheng-Kae in 2004’s Bamboo Dream, with music by Arvo Pärt.Photograph: Tristram Kenton/the Guardian
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‘Cloud Gate have rarely looked this untrammelled, this fierce’ – wrote Judith Mackrell of Wild Cursive in 2007.Photograph: Tristram Kenton/the Guardian
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Wild Cursive took inspiration from the ancient Chinese art of ‘wild calligraphy’.Photograph: Tristram Kenton/the Guardian
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‘The whole company takes to the stage in a breathtaking display of their poised, cartwheeling, cat-leaping technique’ wrote Sanjoy Roy of White, a three-part work staged in London in 2011.Photograph: Tristram Kenton for the Guardian
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Songs of the Wanderers was inspired by a trip that Lin took to Bodh Gaya in India, the place where Buddha attained his enlightenment.Photograph: Tristram Kenton/the Guardian
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Nine Songs was an eye-catching take on a series of classical poems by Qu Yuan, the father of Chinese poetry.Photograph: Tristram Kenton/the Guardian
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Images of dancers are reflected in a mirror during a rehearsal of the 2008 production Whisper of Flowers.Photograph: Vincent Yu/AP
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‘Lin’s choreography fuses the inward serenity of eastern movement with the dynamic shapes and lines of western dance,’ wrote Judith Mackrell of 2009’s Wind Shadow.Photograph: Tristram Kenton/the Guardian
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Lin Hwai-min on Rice, staged in London in 2014: ‘When we were creating Rice, we took part in the harvesting in Chihshang. We got up at 5am and went out to the fields. It was a back-breaking experience. You can create work in a studio but the elements of nature stimulate you physically.’Photograph: Tristram Kenton for the Guardian
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Beckoning performed by Cloud Gate 2, which was formed in 1999 as the junior wing of Cloud Gate Dance Theatre.Photograph: Tristram Kenton/the Guardian
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Moon Water, staged in 2008, was set to music by Bach.Photograph: Tristram Kenton/the Guardian
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Formosa is at Sadler’s Wells, London, from 9 to 12 May.Photograph: Liu Chen-hsiang
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